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The Waves Came in Like Horses

Through layered composites of landscapes, negatives, and organic forms, Stephanie O’Connor creates chimeric images that blur boundaries between self and other — capturing the uncanny sensations of pregnancy, where cellular exchange creates lasting biologi
LensCulture

The Waves Came in Like Horses

Through layered composites of landscapes, negatives, and organic forms, Stephanie O’Connor creates chimeric images that blur boundaries between self and other — capturing the uncanny sensations of pregnancy, where cellular exchange creates lasting biological connections.

Reflecting New York - A Brilliant Twist on Street Photography

Using a hand-held mirror, and his very sharp eyes, photographer Stefan Falke allows us to see street scenes from New York we’ve never seen before.
LensCulture

Reflecting New York - A Brilliant Twist on Street Photography

Using a hand-held mirror, and his very sharp eyes, photographer Stefan Falke allows us to see street scenes from New York we’ve never seen before.

In Visible Light: Cinematic Street Photography from Australia

A conversation with Sam Ferris about atmospheric street photography, urban solitude, and how light transforms ordinary city scenes into extraordinary moments.
LensCulture

In Visible Light: Cinematic Street Photography from Australia

A conversation with Sam Ferris about atmospheric street photography, urban solitude, and how light transforms ordinary city scenes into extraordinary moments.

Beyond the Decisive Moment: “Dislocated Presences” Rethinks Street Photography

Training his camera on in-between moments and gestures, David Masoko’s tender take on street photography explores the tensions between visibility and privacy in an image-saturated world.
LensCulture

Beyond the Decisive Moment: “Dislocated Presences” Rethinks Street Photography

Training his camera on in-between moments and gestures, David Masoko’s tender take on street photography explores the tensions between visibility and privacy in an image-saturated world.

The Haircut: Portraits of a Transformation with Actor Ian McKellen

85-year-old actor Ian McKellen let his hair and beard grow out to play the ionic role of Shakespeare’s Falstaff — after the final performance, he finally stepped out of character and back to himself.
LensCulture

The Haircut: Portraits of a Transformation with Actor Ian McKellen

85-year-old actor Ian McKellen let his hair and beard grow out to play the ionic role of Shakespeare’s Falstaff — after the final performance, he finally stepped out of character and back to himself.

When Words Fall Short: Torrance York Uses Photography to Navigate Life With Parkinson’s

In this LensCulture interview, Torrance York reflects on how photography became a tool for understanding, acceptance, and connection after her Parkinson’s diagnosis.
LensCulture

When Words Fall Short: Torrance York Uses Photography to Navigate Life With Parkinson’s

In this LensCulture interview, Torrance York reflects on how photography became a tool for understanding, acceptance, and connection after her Parkinson’s diagnosis.

Grace

In their first artistic collaboration together, Scott Offen and his wife Grace explore ageing, gender and creativity through a seven-year portrait project shaped by intimacy and play.
LensCulture

Grace

In their first artistic collaboration together, Scott Offen and his wife Grace explore ageing, gender and creativity through a seven-year portrait project shaped by intimacy and play.

L is for Look: A Brief History of Fun Photography in Children’s Books

Charting the history of children’s photobooks, the exhibition “L is for Look” takes the viewer on an interactive adventure into the dynamic and responsive world of storytelling made possible by combining photographs and words.
LensCulture

L is for Look: A Brief History of Fun Photography in Children’s Books

Charting the history of children’s photobooks, the exhibition “L is for Look” takes the viewer on an interactive adventure into the dynamic and responsive world of storytelling made possible by combining photographs and words.

In Absentia

What if God was to leave the land? Centered on this premise, Vinod Venkapalli’s powerful images capture pain, torture, and decay. On the surface they are primal and confrontational, but beneath the suffering lies a message of solidarity in humanity’s shar
LensCulture

In Absentia

What if God was to leave the land? Centered on this premise, Vinod Venkapalli’s powerful images capture pain, torture, and decay. On the surface they are primal and confrontational, but beneath the suffering lies a message of solidarity in humanity’s shared struggles.

Temple Road

Every Sunday, a nondescript road in Frankfurt’s industrial area is transformed by a variety of vibrant faith communities who visit the churches and cultural organizations that pop up there each week.
LensCulture

Temple Road

Every Sunday, a nondescript road in Frankfurt’s industrial area is transformed by a variety of vibrant faith communities who visit the churches and cultural organizations that pop up there each week.

Down Tower Road

What does it mean to really ‘know’ a place? In her visual ode to her hometown of Baldernock just north of Glasgow, Camille Lemoine cultivates a slow and detailed approach to looking at the landscape she grew up in through photography.
LensCulture

Down Tower Road

What does it mean to really ‘know’ a place? In her visual ode to her hometown of Baldernock just north of Glasgow, Camille Lemoine cultivates a slow and detailed approach to looking at the landscape she grew up in through photography.

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