Depository of News

Travel

California, Oregon, Washington Launch Enhanced Website To Help Tourists Navigate Regions Affected By Wildfires

State tourism organizations in California, Oregon, and Washington have introduced an enhanced website to help travelers navigate wildfire affected regions. These efforts are the result of a year-old collaboration between the three states, with the format
Travel

California, Oregon, Washington Launch Enhanced Website To Help Tourists Navigate Regions Affected By Wildfires

State tourism organizations in California, Oregon, and Washington have introduced an enhanced website to help travelers navigate wildfire affected regions. These efforts are the result of a year-old collaboration between the three states, with the formation of the West Coast Tourism Recovery Coalition to raise consumer awareness about the many communities and experiences that remain unaffected across the region. The aim is to provide up-to-date information about what visitors may face during natural disasters or weather incidents — including wildfires or snowstorms that might threaten to disrupt their travel plans and to guide them to enjoy their vacation. The website now includes webcams and real-time air-quality information at important destinations. It also includes multi-state itineraries to inform travelers who may decide to reroute road trips or seek more planning ideas for trips to the West Coast. California wildfires “underscore the ongoing need for coordinated travel communications among tourism offices in California, Oregon and Washington state,” said David Blandford, co-chair of the Washington Tourism Alliance. “We are committed to providing real-time resources for travelers and assisting in business recovery for our industry.” The central focus of the site is a “Current Conditions” mapping feature. It maps details of air quality and allows visitors to navigate to other nearby destinations in the three states. It includes dozens of color-coded air-quality readings from the three states; 40 webcams that show real-time conditions at popular destinations, roadways and key attractions, including national parks; locations and information for welcome centers in all three states. There is also an “Explore” section that features popular itineraries in each state and a handful of multi-state road trips – handy information when travelers decide to reroute. Along with important emergency resources in each state and an expanded news section.For more details, visit: WestCoastTravelFacts.orghttps://www.blouinartinfo.com/              Founder: Louise Blouin

Top Honor for Sahapedia's India Heritage Walks

Sahapedia’s India Heritage Walks Project has been conferred with the prestigious Grand Award 2019 given by Pacific Asia Travel Association (PATA). What makes the award more special is the fact that Sahapedia is one of only four organizations bestowed with t
Travel

Top Honor for Sahapedia's India Heritage Walks

Sahapedia’s India Heritage Walks Project has been conferred with the prestigious Grand Award 2019 given by Pacific Asia Travel Association (PATA). What makes the award more special is the fact that Sahapedia is one of only four organizations bestowed with the Grand Award from a field comprising 197 entries from 78 organizations and individuals worldwide, and the only one in the “Heritage and Culture” category.The recognition comes early in the life of India Heritage Walks Project, as it was founded less than three years ago, in November 2016. And in this short time span, it has grown beyond the expectations of its founders, covering more than 60 cities across the country, and organizing heritage walks woven around a variety of themes. It was formerly known as Sahapedia Walks.After the announcement of the award in July, Vaibhav Chauhan, Secretary, Sahapedia and Director of India Heritage Walks, said, the biggest acknowledgement of the success of the project came from the users who received it with open arms. “Apart from the big cities, where a few standalone walks do take place, our strength has come from Tier II and III cities. We didn’t expect so much enthusiasm.”An important reason behind the ardor with which people across the country have received the India Heritage Walks is the absence of any integrated heritage walk offering so far. Said Chauhan, “Though cities like Delhi, Mumbai, Bangalore, etc. do have heritage walks in their annual cultural calendar, there has not been a single, connected, comprehensive effort. Many initiatives have come up in the past six-seven years, but none has been scaled up to include cities across the country, apart from INTACH. That’s why India Heritage Walks has hit off with the users. The North East, particularly, has been a great discovery.”Users are an important component of the India Heritage Walks as the project aims at hiving off the “elitist” tag generally associated with heritage walks. Said Chauhan, “Strangely, heritage walks have generally been considered ‘elitist’ and many interested people have stayed away imagining it to be beyond their means. We have tried to do away with this notion by including even those groups of people who would never have imagined attending a heritage walk — homeless women, underprivileged children, and more. Besides, we were careful that the heritage walk conductor is not someone from outside coming in and preaching but someone from among the people.”Chauhan informed that not all walk leaders are historians but people from various walks of life. He added that often people are surprised to discover new things about their own cities, as leaders and participants both bring a lot to the walk. All this becomes super interesting given the fact that the India Heritage Walks does not charge a fee. A quick browse through the website indiaheritagewalks.org throws up a wide array of walks. For instance, upcoming walks include such interesting ones like: “A Food Walk through the Streets of Fort Cochin,” Kochi, and “Tracing Art Forms in the Galleries of the Indian Museum,” Kolkata (both on Sunday, September 29); “A Walk to the Town Hall Museum,” Kolhapur, and “Paintings and Woodwork, Exploring the Arts of the Maratha Period,” Pune (both on Sunday, October 6); and many more. A look at the past walks is also an eye-opener, given the towns and themes covered: “The Mysterious Datia Palace,” conducted in Datia town of Madhya Pradesh on August 24, “The Majestic Churches of Baroda,” held on August 18 in Vadodara, “Walking Through the Historical Town of Andul,” held on August 18 in Howrah, and many more.Given its limitless scope, the India Heritage Walks is a year-long program, designed to suit local conditions of a particular city in a particular month. “Yes, the possibilities are limitless. We do day-long walks, there are multi-day walks, depending on what fits in the scheme of things at a particular time. The potential is huge even in terms of themes. From food walks, such as the Ramzan Food Walk to one dedicated to Wall Paintings of North India, or a walk on the Role of Women to observe March 8, the International Women’s Day... there is so much that we do and can be done. The beauty of these walks is that you can learn a lot in just one walk. It’s not just text books that impart knowledge, almost all of it is out there to see and learn,” said Chauhan.The project also holds an annual India Heritage Walk Festival in February, a month-long festival led by Sahapedia. With its varied lineup, it explores the diversity that characterizes the cultural fabric of the country, featuring themes such as, food, heritage, nature, art, architecture, and more. The festival includes walks, talks, and films from across India, covering a broad spectrum of Indian culture.“The whole idea is to make cultural spaces more interesting and inclusive. ‘Saha’ in Sanskrit stands for ‘together’ and we want to include every interested individual in our efforts. India’s heritage and culture is so immense that this field offers immense opportunities. We even share our template with individuals who reach out to us, to conduct walks in their spheres. I think the concept of heritage walks is going to catch on in a big way.”The only challenge in this rosy story is that of limited funding. Chauhan said that India Heritage Walks is supported by Axis Bank and the TCS Foundation but more support would definitely be welcome. “We are trying to get more,” he said. India Heritage Walks is a movement that definitely deserves more power.Visit www.sahapedia.org, www.indiaheritagewalks.org, and www.indiaheritagewalkfestival.org for details. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Times} https://www.blouinartinfo.com/              Founder: Louise Blouin

Toronto Biennial’s Susannah Rosenstock on the Best of Canada’s Global City

Toronto, situated by the magnificent Lake Ontario, is not just the most populous city of Canada but also one of its most multicultural and cosmopolitan cities. As an important destination for immigrants from all over the world, coupled with its own history o
Travel

Toronto Biennial’s Susannah Rosenstock on the Best of Canada’s Global City

Toronto, situated by the magnificent Lake Ontario, is not just the most populous city of Canada but also one of its most multicultural and cosmopolitan cities. As an important destination for immigrants from all over the world, coupled with its own history of indigenous habitation for several thousands of years, Toronto has a multi-layered identity, making it an ideal place for creativity to take root and grow.The city’s global spirit will reflect amply in its inaugural Toronto Biennial of Art that gets launched on September 21 and will be held through December 1, 2019. Ahead of the biennial, Blouin Artinfo spoke with Susannah Rosenstock, Deputy Director and Director of Exhibitions for Toronto Biennial on how to make the most of this city.How long have you been living in Toronto and what do you like best about this city?I moved to Toronto from New York in 2007. I like the DIY nature of the city, that makes it feel like the possibilities are endless. It’s exciting to live in a relatively young city — Toronto’s best days are definitely ahead.As the city gets ready for its inaugural biennial, what do you think makes Toronto a great choice to host art from around the world with a focus on inclusivity?Toronto is one of the most, maybe the most diverse city in the world, making it absolutely the perfect place to launch a biennial of this nature. It was always clear from the launch of this project that inclusivity, accessibility and education would be at the core of the Biennial and that it hasd to be true to this city, while reflecting on global conversations.How would you describe the cultural pulse of Toronto? What makes it different from most other art hubs of the western world?Other art hubs of the western world have been art hubs now for decades, or longer — New York, London. Toronto is just establishing itself as an arts and culture hub and destination, which makes it so exciting to be a part of.Besides getting an opportunity to visit the Toronto Biennial, what makes the period of September-December a good time to visit this city?The fall is the busiest time in the city and you could attend an exhibition, event, show, play, performance every day of the week of you wanted to. The season starts off with TIFF (Toronto International Film Festival, September 5-15), and then all of the museum and gallery openings, and then Nuit Blanche (October 5) and Art Toronto (October 25-27). The Biennial always wanted to be a part of that fall art season.Besides the biennial — in itself a massive offering of art — what are the other art centers of the city that one should not miss while visiting for the biennial? What are the must-visit museums, galleries and other venues of Toronto that you would especially recommend?The not-to-miss list has gotten pretty big since I moved here. Of course there are the bigger museums and galleries — the AGO, the Power Plant and MOCA and the smaller public galleries including AGYU, Mercer Union, and the Art Museum at the University of Toronto as well as Scrap Metal which is privately owned, but not commercial. For commercial galleries, I don’t want to pick favorites, but most art in the West end including Susan Hobbs, Georgia Sherman Projects, Zalucky Contemporary, MKG 127, Daniel Faria Gallery, Clint Roenisch and Olga Korper.Who are the Toronto-based artists that one must know about — both established and upcoming?Chris Curreri, Luis, Jacob, Julia Dault, Nadia Bellerique, Syrus Marcus Ware, Alex McLeod.Any annual cultural events of Toronto that one must not miss while visiting the city for the biennial? Well, I’m a bit biased because I was formerly the Director of Art Toronto, but for those visiting in late October, you can’t miss the fair. It’s Canada’s only international art fair, celebrating its 20th anniversary this year, and is host to all of Canada’s top Modern and Contemporary galleries.What are the best venues of the city to catch a live performance — a play, opera, music, dance?For a world-class performance, the Four Seasons Centre hosts the National Ballet of Canada and the Canadian Opera Company — both are fantastic.What are the restaurants/ coffee shops of Toronto that are popular with the art fraternity? Which is your favourite and why?Forno Cultura has several locations, but there’s now one in MOCA, which is relatively new, and it’s a great place to see the art world and the Sterling Road neighborhood community come together. I also think they have the best coffee in the city. Creeds is also on my list – the owners have an extensive art collection, some of which is featured in the cafe. My newest discovery is Neo, a Japanese coffee shop. It’s near the Biennial’s main venue at 259 Lake Shore Blvd east, and their matcha latte is amazing.Which part of Toronto offers a truly international vibe? Any hanging out places there you would recommend for the art fraternity?I don’t know if there’s anywhere in the city that doesn’t have an international vibe, if I think about it. I live near Parkdale and I love walking around there. You can get Tibetan momos, hipster coffee, vegan anything and shop for clothes, jewellery, design from local designers.Which is your favourite restaurant to sample local cuisine?It depends on the vibe you’re looking for — La Palma is one of my favorites these days — you can’t go wrong there. In the summer, I love to sit outside at Barraida on College Street. It’s a very neighborhood, Portuguese restaurant with a huge garden where you can eat grilled sardines, drink sangria and just totally relax. Mothers Dumplings in Chinatown was one of my first finds when I moved here, and still one of our family favorites.What are the best places to buy art in Toronto?The best is certainly Art Toronto, in late October. The galleries I mentioned above all represent a great roster of Canadian and international artists.What are the popular shopping avenues of the city that all visitors must definitely check out?Queen West, all the way from Spadina to Roncesvalles, Ossington from Queen to Dundas, Dundas West.What’s your favourite place in the city to catch up with friends?My backyard.What are the best bookstores of Toronto and why do you like them?Type is hands down the best bookstore. The people who work there have read everything, so you can really ask them questions and for recommendations. I always leave there with more books than I expected to buy, and I always make discoveries.What are the best parks of the city and which is your favourite?My favorites are High Park, for a hike or long walk, and Trinity Bellwoods for a picnic and people watching.After a busy weekend exploring the biennial, what are the weekend getaways in and near Toronto that one could explore to chill out?I would recommend a day trip to the McMichael Collection. It feels like a mini-vacation even though it’s less than an hour from downtown, and the collection and exhibitions are always impressive. The Toronto Islands are also one of the best gems this city has — just a short ferry ride away and it really feels like a getaway. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Times} https://www.blouinartinfo.com/              Founder: Louise Blouin

A Tour of New Cultural Sites on Unesco World Heritage List

Statistics compiled by a variety of agencies show that the number of people traveling all over the world has only risen over the years. That’s due to a variety of factors, the chief being disposable income and of course, curiosity (not necessarily in that o
Travel

A Tour of New Cultural Sites on Unesco World Heritage List

Statistics compiled by a variety of agencies show that the number of people traveling all over the world has only risen over the years. That’s due to a variety of factors, the chief being disposable income and of course, curiosity (not necessarily in that order).As more and more people travel and leave their footprints in remote corners of the world, there increases the need to have more and more ‘exotic’ places to go to. An important list that inveterate travelers consult while making their plans for an unparalleled experience is the Unesco World Heritage List, which truly is a compilation of some of the most outstanding places one must visit in a lifetime.Though travel is not an avowed purpose of the inscription of any given site on the Unesco World Heritage List, it definitely helps in preserving a particular site for future generations. The list, born out of an international treaty signed in 1972, seeks primarily to protect world’s natural and cultural heritage, which according to Unesco, are of outstanding value to humanity.Unesco’s World Heritage Mission, among other things, encourages countries and local population to protect their heritage, provides assistance to sites in danger, provides technical assistance and professional training for safeguarding the sites, and more.At its recent meeting held in the Azerbaijan capital of Baku, from June 30 to July 10, the World Heritage Committee examined 36 nominations for inscription on Unesco’s World Heritage List. By the end of the meet, a total of 29 new properties were inscribed to the list, comprising 24 cultural, four natural and one mixed heritage site.We take our readers through the list of 24 cultural sites, which is a veritable world tour with representation from all major regions of the world. The sites are listed in alphabetical order.1. Ancient ferrous metallurgy sites of Burkina FasoBurkina Faso, a small, landlocked country in west Africa, was producing iron through furnaces way back in the 8th century BCE. This is borne out by furnaces, 15 of which are still standing, natural-draught furnaces, other related structures, mines, and traces of dwellings alongside these furnaces located in different provinces of the country. Douroula, which dates back to the 8th century BCE, is the oldest evidence of the development of iron production found in Burkina Faso. There are other sites that show evidence of the intensification of iron ore production during the second millennium CE.2. Archaeological remains of Liangzhu City, ChinaDating from 3400 - 2250 BCE, Liangzhu city-site gave birth to what is known as the Liangzhu Culture in the Yangtze River Delta in southeastern China. The most striking aspect of this culture is the clear distinction between social classes as is evidenced through funeral structures. The division of class indicates that the Liangzhu period was an early state. This early regional state of the Late Neolithic period had a unified belief system based on rice cultivation. The site was initially excavated by Shi Xingeng in 1936.3. Babylon, IraqOne of the most celebrated of ancient civilizations of the world, it’s a surprise that Babylon has found its way into the World Heritage Site list now. Babylon was a key kingdom in ancient Mesopotamia (that we now know as Iraq) and got its name from the capital city built on the Euphrates river. The ruins of Babylon are located 85 km from Baghdad, the Iraqi capital. The region today includes villages and agricultural areas surrounding the ruins of the ancient city, which include outer and inner city walls, gates, palaces and temples, representing the height of the Neo-Babylonian Empire. Babylon continued to remain the seat of successive empires, under rulers such as Hammurabi (circa 1810 - circa 1750 BCE) and Nebuchadnezzar (circa 605 - circa 562 BCE). The city is also associated with one of the seven wonders of the ancient world — the Hanging Gardens.4. Bagan, MyanmarBagan is an ancient city in the Mandalay region of Myanmar. It reached its peak as the capital of the Bagan kingdom from between the 9th and the 13th centuries; this was the first kingdom to unify the regions that would eventually constitute modern Myanmar. Bagan lies on a bend of the Ayeyarwady River in the central plain of Myanmar. It is a sacred landscape, featuring an exceptional range of Buddhist art and architecture, and also is the main attraction of the country’s tourism industry. The site comprises numerous temples, stupas, monasteries and places of pilgrimage, as well as archaeological remains, frescoes and sculptures.5. Budj Bim Cultural Landscape, AustraliaThe Budj Bim Cultural Landscape, located in the traditional Country of the Gunditjmara Aboriginal people in southeastern Australia, consists of one of the world’s most extensive and oldest aquaculture systems. The Budj Bim lava flows provide the basis for the complex system of channels, weirs and dams developed by the Gunditjmara in order to trap, store and harvest kooyang (short-finned eel – Anguilla australis). The highly productive aquaculture system provided an economic and social base for Gunditjmara society for six millennia. The Budj Bim Cultural Landscape is the result of a creational process narrated by the Gunditjmara as a deep time story, referring to the idea that they have always lived there. From an archaeological perspective, deep time represents a period of at least 32,000 years.6. Churches of the Pskov School of Architecture, Russian FederationThe historic city of Pskov lies on the banks of the Velikaya River in the northwest of Russia, near Estonia. The city is known for a group of monuments produced by the Pskov School of Architecture, which includes cubic volumes, domes, porches and belfries, with the oldest elements dating back to the 12th century. Churches and cathedrals are integrated into the natural environment through gardens, perimeter walls and fences. Inspired by the Byzantine and Novgorod traditions, the Pskov School of Architecture reached its peak in the 15th and 16th centuries, and was one of the foremost schools in the country.7. Dilmun Burial Mounds, BahrainThis is a necropolis area on the main island of Bahrain, built between 2050 and 1750 BCE, comprising over 21 archaeological sites in the island’s western part. Six of these sites are burial mound fields consisting of a few dozen to several thousand tumuli (ancient burial mounds). In all there are about 11,774 burial mounds, originally in the form of cylindrical low towers. The other 15 sites include 17 royal mounds, constructed as two-floor sepulchral towers. The burial mounds are evidence of the Early Dilmun civilization, around the 2nd millennium BCE, during which Bahrain became a trade hub whose prosperity enabled the inhabitants to develop an elaborate burial tradition applicable to the entire population.8. Erzgebirge/ Krusnohori Mining Region, Czechia/ GermanyErzgebirge/Krušnohoři or the Ore Mountains of Central Europe have formed a natural boundary between southeastern Germany (Saxony) and northwestern Czechia. The region contains a wealth of several metals exploited through mining from the Middle Ages. The region became the most important source of silver ore in Europe from 1460 to 1560 and was the trigger for technological innovations. Tin was historically the second metal to be extracted and processed at the site. At the end of the 19th century, the region became a major global producer of uranium. The cultural landscape of the Ore Mountains has been deeply shaped by 800 years of almost continuous mining, from the 12th to the 20th century.9. Historic Centre of Sheki with the Khan’s Palace, AzerbaijanLocated at the foot of the Greater Caucasus Mountains in northwestern Azerbaijan, the historic city of Sheki lies 325 km from the country’s capital of Baku. The city is divided in two by the Gurjana river. While the older northern part is built on the mountain, its southern part extends into the river valley. Located along important historic trade routes, the city’s architecture is influenced by Safavid, Qadjar and Russian building traditions. The Khan Palace, in the northeast of the city, and a number of merchant houses reflect the wealth generated by silkworm breeding and the trade in silk cocoons from the late 18th to the 19th centuries. The city also has the greatest density of cultural resources and monuments through all the eras of Azerbaijani history.10. Jaipur City, Rajasthan, IndiaJaipur, a fortified city in the northwestern state of Rajasthan in India, is one of the most popular tourist destinations of the country. It lies about 275 km from New Delhi and was founded in 1727 by the local king Sawai Jai Singh II. It was built according to a grid plan inspired by Vedic architecture. It is different from other cities of the region as most are located on a hilly terrain while Jaipur was established on the plains. It is also known as the Pink City as most of the buildings in the old city are built of pink sandstone. The city’s urban planning shows an exchange of ideas from ancient Hindu, Mughal and modern Western cultures. The city was designed to be a commercial capital and continues to be so. The streets intersect in the center, creating large public squares called “chaupars.”11. Jodrell Bank Observatory, UKPart of the Jodrell Bank Centre for Astrophysics at the University of Manchester, the Jodrell Bank Observatory is located in a rural area of northwest England, free from radio interference. One of the world’s leading radio astronomy observatories, it was established in 1945 by Bernard Lovell, a radio astronomer at the University of Manchester, to investigate cosmic rays after his work on radar during World War II. It is still in operation and includes several radio telescopes and working buildings. Jodrell Bank has had substantial scientific impact in fields such as the study of meteors and the moon, the discovery of quasars, quantum optics, and the tracking of spacecraft.12. Krzemionki Prehistoric Striped Flint Mining Region, PolandThe Krzemionki region comprises four mining sites, dating from the Neolithic to the Bronze Age (circa 3900 - 1600 BCE). These mines of striped or banded flint are located approximately eight kilometers from the mountainous Polish city of Ostrowiec Świętokrzyskie. These mines were dedicated to the extraction and processing of striped flint, which was mainly used for ax-making. With its underground mining structures, flint workshops and some 4,000 shafts and pits, the property features one of the most comprehensive prehistoric underground flint extraction and processing systems identified to date. It provides information about life and work in prehistoric settlements.13. Landscape for Breeding and Training of Ceremonial Carriage Horses at Kladruby nad Labem, CzechiaKladruby nad Labem is a village and municipality located in the Stredni Polabi area of the Elbe plain in Czechia. The property consists of flat, sandy soils and includes fields, fenced pastures, a forested area and buildings, all designed with the main objective of breeding and training “kladruber” horses, a type of draft horse used in ceremonies by the Habsburg imperial court. An imperial stud farm was established in 1579 and has been dedicated to this task since then. It is one of Europe’s leading horse-breeding institutions, developed at a time when horses played vital roles in transport, agriculture, military support and aristocratic representation.14. Le Colline del Prosecco di Conegliano e Valdobbiadene, ItalyThe hills in northeastern Italy produce the country’s number one sparkling wine, the Prosecco, and the landscape that produces this wine has an unusual aesthetic appeal. The landscape is characterized by ‘hogback’ hills or the “ciglioni,” which are small plots of vines on narrow grassy terraces spread across forests, small villages and farmland. For centuries, this rugged terrain has been shaped and adapted by man, creating a particular checkerboard landscape consisting of rows of vines parallel and vertical to the slopes. This feature became prominent since the 17th century. In the 19th century, the “bellussera” technique of training the vines contributed to the beauty of the landscape.15. Megalithic Jar Sites in Xiengkhuang — Plain of Jars, Lao People’s Democratic RepublicThe Plain of Jars is a megalithic archaeological landscape in Laos, consisting of more than 2,100 tubular-shaped stone jars scattered around the upland valleys and the lower foothills of the central plain of the Xiangkhoang Plateau. These jars were used for funerary practices in the Iron Age. This serial property of 15 components contains large carved stone jars, stone discs, secondary burials, tombstones, quarries and funerary objects dating from 500 BCE to 500 CE. The jars and associated elements are the most prominent evidence of the Iron Age civilization that made and used them until it disappeared, around 500 CE. It is one of the most important pre-historic sites of Southeast Asia.16. Mozu-Furuichi Kofun Group: Mounded Tombs of Ancient JapanThis group comprises 49 Kofun (megalithic tombs or tumuli) located on a plateau above the Osaka Plain, between the cities of Osaka and Nara. These burial mounds are of various sizes and shapes such as key holes, scallops, squares or circles. These tombs were for members of the elite, containing a range of funerary objects (such as weapons, armor and ornaments) and represent differences in social classes of the period. They were decorated with clay figures, known as “haniwa,” which could be cylinders or representations of houses, tools, weapons and human silhouettes. These 49 Kofun have been selected from a total of 160,000 in Japan and form the richest material representation of the Kofun period, from the 3rd to the 6th century CE.17. Ombilin Coal Mining Heritage of Sawahlunto, IndonesiaSawahlunto in the Sumatra region of Indonesia is the oldest coal mining site in Southeast Asia. It was developed by the Dutch colonial government in the late 19th-early 20th century for the extraction, processing and transport of high-quality coal from this inaccessible region in a valley along the Bukit Barisan mountains. For the workforce, the colonial government recruited from the local population and also employed convict labor from Dutch-controlled areas. The area comprises the mining site and company town, coal storage facilities at the port of Emmahaven and the railway network linking the mines to the coastal facilities. After a golden period of mining when Sawahlunto flourished, the area gradually turned into a ghost town and the population declined drastically.18. Risco Caido and the Sacred Mountains of Gran Canaria Cultural Landscape, SpainRisco Caido is an archaeological site located in a vast mountainous area in the center of the Gran Canaria island in Spain. In a landscape of rich biodiversity, the region comprises cliffs, ravines and volcanic formations, and is dotted with a large number of troglodyte settlements — habitats, granaries and cisterns. These settlements date from a pre-Hispanic time on the island. This culture evolved in isolation right up until the arrival of first Spanish settlers in the 15th century. The site also comprises cult cavities and two sacred temples, or almogarenes — Risco Caido and Roque Bentayga — where seasonal ceremonies were held. These temples are thought to be linked to a possible cult of the stars and Mother Earth.19. Royal Building of Mafra — Palace, Basilica, Convent, Cerco Garden and Hunting Park (Tapada), PortugalThe Royal Building of Mafra, located about 30 km northwest of the capital Lisbon, was conceived by King Joao V in 1711 as tangible representation of the power and reach of the Portuguese Empire. Construction on this quadrangular complex began in 1717 and completed in 1755; it comprises the king’s and queen’s palaces, the royal chapel (shaped like a Roman Baroque basilica), a Franciscan monastery and a library containing 36,000 volumes. The complex is completed by a geometric Cerco garden and the royal hunting park, the Tapada. João V adopted Roman and Italian baroque architectural and artistic models and commissioned works of art that make Mafra an exceptional example of Italian Baroque.20. Sanctuary of Bom Jesus do Monte in Braga, PortugalNom Jesus do Monte (Good Jesus of the Mount) is a sanctuary in Tenoes, located on the slopes of Mount Espinho overlooking the city of Braga in northern Portugal. An important tourist attraction, it is well-known for its Baroque stairway climbing to 116 meters, known as the Stairway of the Five Senses. The zigzag stairway inspired many other sites in Portugal and its former colonies such as Brazil and Goa in India. The site evokes Christian Jerusalem, recreating a sacred mount crowned with a church. The sanctuary developed over a period of 600 years, illustrating a European tradition of creating sacred mountains, promoted by the Catholic Church at the Council of Trent in the 16th century, in reaction to the Protestant Reformation. The granite buildings of the complex have whitewashed plaster facade, framed by exposed stonework.21. Seowon, Korean Neo-Confucian Academies, Republic of KoreaSeowons or Neo-Confucian academies in the central and southern parts of the Republic of Korea are representative of an important phase in the history of Korea, when Neo-Confucianism from China was adapted to Korean conditions. These Neo-Confucian academies were built during the reign of the Joseon dynasty (15th-19th centuries CE). Located near mountains and water sources, the seowons were designed to inculcate the appreciation of nature along with cultivation of mind and body in the scholars. These functions were expressed well in the design of the pavilion-style seowons.22. The 20th-Century Architecture of Frank Lloyd Wright, USAAmerican architect and interior designer Frank Lloyd Wright (1867-1959), who pursued what he called “organic architecture,” has left a legacy of iconic buildings that continue to earn applause for their creator. Eight of his buildings in the United States, all designed in the first half of the 20th century, have been inducted in the Unesco World Heritage Sites list, the most famous of which remains the Solomon R. Guggenheim Museum in New York. The other buildings are Fallingwater (Mill Run, Pennsylvania), the Herbert and Katherine Jacobs House (Madison, Wisconsin), Unity Temple (Oak Park), Frederick C. Robie House (Illinois), Hollyhock House (California), and Wright’s homes and studios at Taliesin, Wisconsin, and Taliesin West in Arizona (both of which are now home to the School of Architecture, Taliesin).23. Water Management System of Augsburg, GermanyAugsburg in the state of Bavaria in Germany is one of the oldest cities of the country and is widely considered a pioneer in hydraulic engineering. It’s the city’s water management system that has earned it a place in the Unesco World Heritage Sites list. The city’s water management system has evolved in successive phases from the 14th century to the present day and includes a network of canals, water towers from the 15th-17th centuries that housed pumping machinery, a water-cooled butchers’ hall, a system of three monumental fountains and hydroelectric power stations, which continue to provide sustainable energy today.24. Writing-on-Stone/Aisinai’pi, CanadaThe Writing-on-Stone Provincial Park in Alberta, western Canada, is an ancient and sacred cultural landscape where indigenous people have created rock art for millennia. Innumerable petroglyphs (rock carvings) and pictographs (rock paintings) make it the landscape with the greatest concentration of rock art on the Great Plains of North America. These are also the chronicles of the long history of human evolution in North America, recording life as it existed in the earliest times to the era when the indigenous people first came in contact with the Europeans. Writing-on-Stone/Aisinai'pi (“it is pictured/written”) is a sacred place for the Blackfoot people in whose traditions, “Sacred Beings” dwell among the cliffs and hoodoos of the region. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Times} https://www.blouinartinfo.com/              Founder: Louise Blouin

Florence Guillier Bernard on the Charms of Paris

Florence Guillier Bernard, a true Parisienne, loves her city tenderly as is evident from the loving care with which she shares the best way to enjoy it. Founder of the design gallery Maison Parisienne, she is going to present a wide selection of works from he
Travel

Florence Guillier Bernard on the Charms of Paris

Florence Guillier Bernard, a true Parisienne, loves her city tenderly as is evident from the loving care with which she shares the best way to enjoy it. Founder of the design gallery Maison Parisienne, she is going to present a wide selection of works from her gallery at the upcoming edition of the design fair, PAD Paris (April 3-7), in the categories of Contemporary design, glass/ ceramic, and sculptures.In an interview with Blouin Artinfo, Bernard shares the details of her gallery’s participation in PAD Paris, the trends in the world of Contemporary design today, some tips on building a design collection, and of course, the best kept secrets of the city she so clearly loves.Could you share the highlights of your participation at the upcoming edition of PAD Paris? What are you most excited about the upcoming edition of PAD Paris?This year we will also be presenting a range of medium-challenging French artists, who astonish through their ability to stretch materials in surpassing ways. We are proud to have been working with accomplished artists such as Simone Pheulpin (textile artist), Gerald Vatrin (glass artist), Herve Wahlen (metal sculptor) and Pierre Renart (designer and cabinet-maker). Our selection is very wide in terms of artists and materials used, sometimes somewhat surprising in its variety, and will always only represent the finest and most unique “exceptions” of French craftsmanship.I am very excited to discover some of the newest trends and latest research in art and design. Presentation at the PAD is key, many galleries put in tremendous effort and often hire scenographers to put their most exquisite works forward. I am amazed by the sheer variety of different techniques and uses of materials I thought I knew so much about. I rediscovered some of them with a different light by working with some of the galleries here. It was very inspiring.What makes Paris one of the most important design hubs in the world? And what role do design galleries such as yours have to play in making it a hub?The city is today one of the world’s leading business and cultural centers. Just its architecture alone has countless stories to tell. Paris is a city in perpetual motion, its potential for design inspiration is limitless. Paris seems to keep on reinventing itself, while lending technological progress an aesthete’s eye for perfection.People are attracted to the vast quantity of cultural centers, museums, galleries, and most of all, the high-quality exhibitions and collections they present. They create the most inviting collector’s paths for curious art lovers.What are the most important trends in the world of Contemporary design today?We are in this moment where we are trying to become more tactile, we actually want to have more touch. It’s a general consensus of people wanting to understand the making and the craft of something, as the design industry strives to be more sustainable, and consumers start favoring objects that are made to last, rather than disposable.Could you name some Contemporary designers, glass/ ceramic artists whose work you love to follow, and why?I love the mesmerizing and intricate cotton-fabricated works of Simone Pheulpin, whose work often gets confused with ceramics. The artist Gerald Vatrin for his ability to transform the surfaces of his glass-blown sculptures into diverse fabric-feeling textures and create tunnels by which viewers can look through. The French and Vietnamese artist Kim KototamaLune, who spins glass in thin air to create foamy and glistening structures that look like they are just about to burst open.If you were not a gallerist, where would you go in Paris to buy the best pieces of Contemporary design?The Galerie Gosserez, in the Marais district of Paris! I tend to adore their selection of artists, the precious materials they use and the friendliness and connoisseurship of its staff. I go there often and have worked with them on several occasions.Can you share some basic principles a young design collector must follow to start building a great collection of Contemporary design?Go for handmade design, artists and designer who convey their obsession and passion for their craft. Search for works that reflect who you are, as they will enrich your daily life while also adding visual interest to your space. Seek for reliable sources when purchasing a work.Do you have a favorite design fair? If yes, which one is it and why?One of my favorite design fairs is the COLLECT art & design fair in London, at the Saatchi Gallery. I am always dazzled by the quality and the diversity of the craftsmanship that is showcased there. The visitors to the fair range from serious to casual collectors, art students to reputed museum curators.Are there some exotic design centers in the world that you are interested in, that followers of Contemporary design must be aware of?The V&A and the new Design Museum in London, and the Museum of Arts and Design in New York are some of my favorites. Either for the architecture or the prestige and richness of their collections.How long have you lived in Paris and what do you love best about it?I have been living here since I was born! I travel a lot, but always feel such a tremendous pleasure when coming home. This is why I created Maison Parisienne. I am still so fascinated with this city. Each day, there is a new surprise to discover, a new dish to celebrate and an exquisite artwork, exhibition, interior to go visit.What do you think makes Paris a great city, drawing people to it from all walks of life, from all over the world like a magnet?Paris is a city known for romance, luxury, arts and gastronomy. It embodies centuries of history, quiet elegance but also a bustling energy. Many visit for this unique combination that makes Parisian charm.If an art connoisseur friend of yours is visiting Paris for the first time, what places — museums, galleries or any other — would you recommend they must definitely find time to visit?The Centre Pompidou, for its extraordinary collection of Modern and Contemporary artworks. The Galerie Gosserez is not far and is a place to be warmly welcomed and dazzled by the unique skills of its passionate designers. I like the Marais neighbourhood for the variety of its galleries and urban arts. The Musee des Arts Decoratifs and the Louvre are also part of my favorite, must-go-to art spaces. If you are in Paris for a longer period, I would send you to smaller historical studio and apartments converted into museums, such as Musee Bourdelle, Musee Eugene Delacroix, Musee de la Vie Romantique, Cernuschi, Zadkine…What is the best place/ best places to enjoy a performance in Paris?The Opera Garnier or Opera Bastille, definitely! The Comedie Francaise also puts on the most exquisite theater performances.What are your favorite places in Paris that you keep going to whenever you find time?I love going to the Marais and Saint-Germain area. It is packed with restaurants, specialized galleries and richly ornate passages and concept stores. Place des Victories and the Palais Royal are also gems to visit in Paris.What would you do if you had a free morning in Paris? I love finding a good Parisian coffee spot, sit at an outdoor terrace (if it is not too cold outside), then wander around. Visiting a flea-market and a food market (such as Marche Richard Lenoir) are fabulous activities to indulge in while in Paris.Could you name some Parisian cafes that you like visiting again and again?Cafe Nemours and Cafe Flore.What are the best shopping addresses of Paris?Le Bon Marche, where you can find just about anything. It is trendy and has an ever-changing selection that is always very fine and heteroclite.What are the best book stores of Paris? Is there any one that you like escaping to once in a while?The Artcurial bookstore is always packed with the best art books available in Paris. I love going to this bookstore.Where do you like to lunch/ dine with your friends from the art world?I love having a coffee and lunch at the Meurice Hotel by the Tuileries park, in its sumptuous Dali Restaurant.What is the best place to get an idea of the city’s night life?I could recommend going to the Comptoir General for a funky spot to hang out with friends.Do you have a favorite bar to catch up with friends on a drink?The Frenchie Wine bar and Redd near the Metro Sentier are great trendy spots to go have a drink and small bites. The Harry’s bar also invented the Bloody Mary and has some great cocktails!What is the best place to entertain professional acquaintances over a drink?The Meurice 228 bar and the Hotel Particulier (a hidden spot in Montmartre) are also some of my favorites, more exclusive places to have a drink in the evening.What are the best Parisian parks to enjoy a great weather?The Parc du Luxembourg (Parisians call it the Luco), the Parc Monceau are beautifully built and have a lovely history to them.They are also incredibly well maintained and is a fantastic spot to bring friends visiting Paris or children.Any particular neighborhood walks would you recommend to visitors?1. Walk in front of the Printemps and Galerie Lafayettes, to the Rue des Martyrs, walk up to Montmartre.2. Walk from the Place des Victoires, through the Place des Petits Peres, through the Galerie Vivienne, to the Palais Royal. Visit the Saint-Anne Japanese neighbourhood, cross the Avenue de l’Opera before reaching the Tuileries and the Louvre. Then walk by the Quais de Seine before having an ice-cream at Berthillon at Ile Saint-Louis.What is your favourite book(s) and favourite film(s) that pay tribute to the charm of Paris most evocatively?“Paris est une Fete,” by Ernest Hemingway. And, “Midnight in Paris” by Woody Allen.A little bonus, the song “April in Paris” by Ella Fitzgerald and Louis Armstrong. https://www.youtube.com/watch?v=u8Ra5aRicos— For details on the gallery, visit www.maisonparisienne.fr/ Instagram: @galeriemaisonparisiennehttps://www.blouinartinfo.com/              Founder: Louise Blouin

Exploring Maastricht During TEFAF

Erik de Jong, chief executive of the Museum aan het Vrijthof, has been gearing up for a busy time as The European Fine Arts Festival (TEFAF) in Maastricht opens and runs through March 24. The fair is one of the most important in Europe and its gravitational p
Travel

Exploring Maastricht During TEFAF

Erik de Jong, chief executive of the Museum aan het Vrijthof, has been gearing up for a busy time as The European Fine Arts Festival (TEFAF) in Maastricht opens and runs through March 24. The fair is one of the most important in Europe and its gravitational pull draws thousands of extra visitors to the museums around the city. Galleries and museums always try to have something special happening during this period of high visibility., drawing many visitors to museums around the city.De Jong spoke with Blouin Artinfo about how to make the most of Maastricht as a whole, as well as providing insights into the city’s art scene, and of course his museum. The interview has been trimmed for length and edited for clarity.How long have you worked in the art scene?In Maastricht, I‘ve been director of this museum about 5 years now — this is my third museum. Before I worked in the Museum of Contemporary Art in Den Bosch. Afterward, I worked in a castle in the region, but before that I wasn’t interested in culture and the arts at all. Eventually a friend of mine suggested I bring some of my entrepreneurial skills to the art world.How are you going to be involved in TEFAF?TEFAF has been one of our major sponsors for five years now, so we’re going to come up with a good exhibition, which is TEFAF-minded and high quality. Now we have a show about a couturier with jewelry. During the night, when the museums are closed, a lot of galleries also put up social events... dinners, drinks, or whatever. For me personally, I see a lot of museum colleagues during that 10 days from all over the country or from Belgium, for instance. It’s good for networking.What should we expect from TEFAF?When TEFAF arrives at Maastricht, all the museums, theatres, and galleries are putting their best efforts in. The city is filled with flags and banners, and hotels and restaurants are well-filled — the whole city is filled with a kind of TEFAF buzz. People are dressed nicely, and there are all sorts of dinner activities. Yes, art is all over, pop-up exhibitions are all over, but there’s a kind of buzz during those 10 or 14 days. The whole city changes and everyone is reacting to it, which is nice.Are there any artists you’re particularly looking forward to seeing at TEFAF?Our exhibition of course! It’s about a couturier and jeweler which who is well known in Japan. There’s a Musee Bonnefantenmuseum exhibition about David Lynch. And if you want to be surprised, just walk through the city and see all the pop-up expos, that’s the most exciting part of it all.How long have you been living in Maastricht?I know Maastricht very well, I’ve been living 15 kilometers from the city since before I started in the arts. The city pretty much has no secrets from me. If you walk from the north to the south center of the town it’s about 15 minutes walk — it’s not that big, everybody knows each other.How has the art scene evolved in that time?It’s too short to talk about change, but there are a lot of new people working in the city now. A lot of the people who were working here for a long time are all gone now, so what you see is a lot of collaboration among the new people. There’s a desire to innovate the arts scene more and more. A lot of the galleries here are very old school. There’s a change from the traditional gallery to the online gallery, visiting fairs. That energy is still just starting now, but you can sense it.Do you have any favorite artists from the area?Last year we did an exhibition with Ted Noten, and international designer and kind of a guerrilla artist, we also did an exhibition about Les Deux Garcons, two artists in Maastricht working with taxidermy. Those three are all well- known outside of Maastricht who have kept a good track record.How would you describe the character of the city? What moods does it evoke?It’s like Paris in small— a very ancient town, with an old center, traditional, nicely built; I think one of the two oldest cities in the Netherlands. We take care of the environment very well — it’s neat, with an upcoming group of international students who are bringing life to the city over the last 15 years. Now you see far more coffee shops, small restaurants, and workspaces for students, which influences the whole ambience of the city. I compared it a few weeks ago with Lille. Small center, and old, but with lots of energy from youngsters. I think that describes Maastricht.What would be on your agenda if you had a free day in the city?A tour of a few things, I’d take them to a few bars, shops, and a walk through the center. At the end of the city you’ve got Casino Sloventa. There’s “Little Paris,” or Wyck, everyone’s fun in that part, a lot of cafes, bars, trendy restaurants, cocktail bars and it’s not that expensive. It’s got everything everyone wants to see there. One of the greatest bookstores in the world, which is the Dominican Church, a former church rebuilt into a giant bookstore with all kinds of concerts, book presentations, authors and writers coming to do signings, that is definitely a hotspot, absolutely.Best local food?There are a lot of hotspots here. Sphinx Kwartier is new and upcoming, with more of an industrial look. The other side of the city which is upcoming with some new art houses, and a cinema, it’s more rough area now.Best spots for nightlife?If you’re into techno or dance you’ve got Complex, which is a large club, one of the upcoming things is Lumiere, an alternative cinema. You’ve got the former fire station where there is a new restaurant in the renovated garage.What’s a must-try authentic local item only available in Maastricht?The Vlaai. It’s a kind of cake, typical Maastricht. There’s also very good Maastricht white wine, Apostelhoeve. In Wyck there are snack bars which make original fresh French fries, completely opposite in taste to McDonald’s, definitely worth checking out.https://www.blouinartinfo.com/              Founder: Louise Blouin

Discovering Dubai

Art Dubai has played a key role in putting the United Arab Emirates on the map as a global art destination. The 2019 edition of the fair, March 20-23 at Madinat Jumeirah, has sections dedicated to Contemporary and Modern art, plus a new section, Bawwaba, “g
Travel

Discovering Dubai

Art Dubai has played a key role in putting the United Arab Emirates on the map as a global art destination. The 2019 edition of the fair, March 20-23 at Madinat Jumeirah, has sections dedicated to Contemporary and Modern art, plus a new section, Bawwaba, “gateway” in Arabic, featuring very recent and site-spe­cific works.The 12th edition of the fair is presenting a Global Art Forum and day-long symposium consist­ing of master classes, as well as screening a commissioned film series, Art Dubai Portraits. The fair is also offering residencies for international artists.To get a sense of Dubai and this year’s fair, we spoke with Pablo del Val, the fair’s artistic director. Del Val previously headed the ZONA MACO art fair in Mexico City and was the founding director of La Conservera Center of Contemporary Art in Murcia, Spain. He told us about where to get Dubai’s best espresso, the English writer and explorer who captured the local imagination, and the necessity of diversifying from the Eurocentric focus of the art world.How long have you been living in Dubai?I moved from Mexico City to Dubai in October 2015 and spend half the year living in Dubai and half living in London.How has the local art scene evolved in the past decade?What’s striking and unique about the local art scene is that it has, to a certain extent, been constructed from the top down. By this I mean: first came the institutions, then the collectors, then the galler­ies. In the UAE, first came the Sharjah Biennial in 1993, followed by commercial galleries and the international-level Art Dubai in 2007. Then last year, the UAE’s first independently-funded muse­um of Contemporary art opened. Currently, Dubai’s art scene is extremely international. You can see exhibitions in galleries from a range of artists, such as German artist Andre Butzer at Carbon 12 or Brazilian artist Ana Mazzei at Green Art Gallery.Who is a favorite local artist or member of the art scene — work­ing right in Dubai, or simply Emirati — you think more people should know?I can’t say just one, so here’s a handful of people that continue to impress me: the artists Mohammed Kazem, Lamya Gargash, and Shaikha Al Manzrou, and the gal­leries The Third Line, Isabelle van den Eynde Gallery, and Lawrie Shabibi.What are your “must-see, can’t-leave-without-checking-out” rec­ommendations for the city?Some of the typical tourist sites are a must. Why? Because if you go to the top floor of [163-story skyscraper] Burj Khalifa you will get the best understanding of how Dubai is mapped out and how it has grown. And the tallest building in the world is a beauty.What is the most misunderstood thing about Dubai?I think the cliche that’s too often bandied about — that Dubai is artificial — lacks an understanding of the city. Yes, it’s a new city, but it has its own soul and vibe, an almost boundless and optimistic energy, and many different areas and neighborhoods to explore.What would be on your agenda if you had a free morning or after­noon in Dubai?For an altogether different pace, I love to head to the creek and hop on an Abra [a traditional boat made of wood]. Dubai explored by water is such a different experi­ence relative to my usual work routine spent whizzing up and down the city’s arterial roads for meetings. I love the architecture in Old Dubai and often discover incredible modernist buildings that I’ve not seen before.What’s the best place for a morning coffee or tea?Without a doubt: Espresso Lab in Dubai Design District. What restaurants would you rec­ommend, and what makes them unique? La Petite Maison in DIFC [Dubai International Financial Centre] because the quality and service never, ever fall short.Where would you head for the best shopping? Satwa; the sheer volume and variety of fabrics are to die for. Choose some fabric and head to one of the many brilliant tailors there to create the outfit of your dreams!What’s an authentic item you could only buy locally or regionally?Something made with Al Sadu weaving, which is handwoven by Bedouin women in the country’s rural communities.What are the ideal spots to see live music?For live music, the acoustics of the Opera House are world-class and I also like the small music sessions that often crop up during the weekend in d3 [Dubai Design District] and on Alserkal Avenue.Where would you recommend people stay when they visit? Jumeirah Al Naseem is one of my newer favorites. Their Japanese-meets-South American pop-up res­taurant is fun and the food is deli­cious.Do you have a favorite book depicting the city or region, or an author who writes about the city or region in an especially evocative way?Edward Said’s “Orientalism” should be on everyone’s book­shelves, and Wilfred Thesiger’s “Arabian Sands.” There’s a great permanent exhibition of the explorer’s photography in Al Jahili Fort, Al Ain — well worth a visit for those coming to Dubai on an extended trip.What makes Art Dubai unique rel­ative to the swell of art fairs?We envision Art Dubai as a unique gathering place where the energies of the Global South (geographical­ly: Africa, the Middle East, Latin America, Central Asia and South Asia) are represented and will cre­ate new dialogues regarding ways of creating and working that are not present in a world mainly dominated by Eurocentric and North American points of view. We believe that there is life beyond the West, and are interested in addressing the Global South beyond the geographical regions previously mentioned. We will be discussing all these concepts and how minorities of those regions interrelate in the world’s main art centers.Is anything at Art Dubai positioned differently relative to past editions?For this year’s edition, we present things in a different way and intro­duce some new elements: every­thing will feel linked and connect­ed, from the gallery halls to the talks and performances. The new layout this year includes the place­ment of Art Dubai Modern within the Contemporary halls to enable a better contextualization between historical movements and the pres­ent. We have converted the space where Modern used to be — Hall 3 in the Mina hotel — into a kind of ‘think-tank’ that will house Campus Art Dubai’s group show, Art Dubai Residents (dedicated this year to Latin America) and new section, UAE Now, which explores the country’s independent local artist-run platforms.What inspired the addition of Bawwaba?Bawwaba is a new section that features 10 solo presentations, showcasing works created within the last year or conceived specifi­cally for the fair. The artists fea­tured are either from, based in, and/or focused on projects about Latin America, the Middle East, Africa and Central and South Asia, and address themes such as global migration, socioeconomic struc­tures and identity through their practice. These themes are globally relevant and are true to our mis­sion as an art fair of diversity and inclusion.How was OPAVIVARA! selected for the Art Dubai Commissions?This year’s Art Dubai Residents focuses on Latin America. Opavivara is a Brazilian collec­tive from Rio de Janeiro, which develops creative interventions in public spaces to propose new ways of using urban space and provide environments encouraging collec­tive experience. Opavivara was the ideal choice to make an organic connection between the different sections of the fair. Their commis­sioned installation, SOLAROCA, consists of a beach-like environ­ment under the shade of an ‘oca’ (a Brazilian indigenous house) and combines a typical Brazilian beach setting with traditional Middle Eastern elements. The work serves as a backdrop for visitors to min­gle, and invites an intercultural dialogue.This story appears in the Art Dubai Newspaper, March 2019 edition. Subscribe at www.blouinsubscriptions.comhttps://www.blouinartinfo.com/              Founder: Louise Blouin 

Making the Most of Maastricht with Astrid Bonnier

TEFAF MAASTRICHT has long distinguished itself as the unrivalled destination art fair. This year TEFAF implemented a more transparent selection procedure, which has resulted in a number of new dealers being invited to take part in the fair. Of the 279 exhibit
Travel

Making the Most of Maastricht with Astrid Bonnier

TEFAF MAASTRICHT has long distinguished itself as the unrivalled destination art fair. This year TEFAF implemented a more transparent selection procedure, which has resulted in a number of new dealers being invited to take part in the fair. Of the 279 exhibitors taking part in TEFAF Maastricht 2019, 40 are new.With an infusion of new vendors, the revitalized TEFAF becomes even more appealing to private collectors, museum curators, patrons, art market professionals and art lovers from all over the world. In just a day (or a week), art buyers have a chance to take a broad survey of what’s available on the market, in effect doing a year’s shopping in a short span of time. TEFAF Maastricht 2019 takes place at the MECC (Maastricht Exhibition & Conference Center), March 16-24.To get some insights into the fair and the town that is hosting it, BLOUIN ARTINFO spoke with Astrid Bonnier, the senior manager of Cultural and Commercial Events for the Bonnefantenmuseum, home to a Contemporary fine art collection and currently showing work by David Lynch, in Maastricht.How long have you been living in Maastricht and what do you like best about it?I’ve been working in the Bonnefantenmuseum for 18 years and have lived in and near the city. During my youth, I lived here for a couple of years, so it felt like home when I returned years later. Maastricht is a charming, compact, historic town, situated on the borders of The Netherlands, Belgium and Germany. Its location in Europe, its historic charm and its setting on the banks of the river Meuse give Maastricht a more cosmopolitan feel than any other Dutch city. I enjoy the relaxed pace: it’s a town for those who love wandering around without a full agenda, so you can bump into friends and have a drink.How has the art scene evolved in the past few years in Maastricht?The art scene is flourishing and there is a very positive synergy between the various art institutes and artists. Together they undertake many cooperations on cultural initiatives and multidisciplinary projects. Besides the Bonnefantenmusuem, there is a lot going on at the Art Academy, the post-academic institute Van Eyck Academy and at cultural institutes like Marres and Bureau Europa.There are various urban developments taking shape at the Sphinx area in the Boschstraatkwartier, steadily establishing it as a trendy art hub. The former military base Tapijnkazerne is being transformed into an educational campus and cultural hotspot. The area is being integrated into the adjoining city park for more green- and leisure space. The area is being connected with the city center, furthering the unique mix of culture, education, shopping and living.What do you find the most exciting in TEFAF this year?It’s a prestigious fair of exceptional grandeur. The quality, diversity and breadth of artworks and jewellery on display are outstanding and the sections of Modern and Contemporary art have been growing for a few years now.Personally I am very much looking forward to see the works by Rosemarie Trockel, Marcel Duchamp and others. The atmosphere at TEFAF is further enhanced by the buzz that is going on in town during these two weeks. There is a ‘thrilling’ and excited vibe in the city as hoteliers, shopkeepers and restaurateurs all embrace TEFAF and its visitors to the fullest.Because of the fair, almost all restaurants and event spaces will host special parties. We will organize the annual Bonnefanten TEFAF Welcome Party. Having initiated the event over a decade ago, I have been striving to develop the event so it remains ‘fresh’ and relevant.I sincerely believe in these kind of initiatives, VIP events, latenight openings of galleries, public events at collector’s houses and at artist studios, to support the fair. Art connects people. If you are travelling all the way to Maastricht, you want the spend your time wisely, yet to the fullest. It does not matter greatly whether you work and live in a sprawling metropole or in a compact town; the effort required to achieve the outcome you envisage can be similar.There are many talented people all around and ‘real-world’ budgets can greatly stimulate creativity— no matter where you are.Sound, sustainable development takes effort and time and personally I always plan projects as part of a longer-term perspective. Being in Maastricht provides me with the privilege of witnessing — firsthand— the joy people experience from art preserved from the past, strengthens my resolve to contribute to the present-day cultural development and its preservation for the future.Do you have a favorite Maastricht artist, whom you think more people should know about?I grew up next to Rob & Marijke Stultiens whose work can be found around the city. In the museum we work with a wide range of talented artists; personally, I am very fond of the mystical, dreamy, colourful paintings by Keetje Mans and of the ceramic sculptures by Han van Wetering.What is your favorite time of the year to enjoy Maastricht and why?October to April is a very vibrant period because of all the cultural events and festivals like Musica Sacra, The Dutch Dance Festival, TEFAF Maastricht and the Museum Night. Maastricht is definitely also a place to drink a glass of rose or a local beer on one of the many terraces, such as Lumiere Cinema Restaurant Cafe, a great spot where you can find me with friends on lazy Sunday afternoons.What are the places/venues in Maastricht that you would recommend all visitors to not miss, even if they are coming for a short trip?There are quite a few areas which are absolutely worth visiting. One should bear in mind that it’s a compact and safe city. If you take your trainers you can walk along most the entire city center in a day.The river Meuse runs right through the city center and will help you find your way; similarly, you can wander around the old historic cobblestone streets, discovering what surprises the many boutiques and restaurateurs have in store for you. Some area’s not to miss are:1. Wyck – Ceramique: Historic streets with boutiques and restaurants meet landmark buildings by star-architects; make sure to include a visit of the Bonnefantenmuseum.2. Inner City: Light a candle at the Basilica of Our Lady on the Onze Lieve Vrouwenplein, walk along the small cobbled streets, including Jekerkwartier, take the steps up the city wall and take in the views of the park and the river Meuse. Enjoy the historic sights and lively bars at the Vrijthof square.3. St. Pietersberg: For a stunning view of the city and the valley, have a drink at cafe Bergrust and if you have more time book a guided tour of the North caves to visit the ‘vault’: the secret space where “The Nightwatch” by Rembrandt was hidden during the Second World War.Is there a local cuisine? What are the best restaurants serving local cuisine?Maastricht is widely recognized as a prime culinary hotspot in The Netherlands. Of course, many grand cafe’s serve food, either inside or outside, on Maastricht’s renowned ‘terraces’. Notably, Maastricht has a wide variety of premium- and top-class restaurants, so there should be no reason to feel hungry at any time!Local specialities include:‘Zoervleis’, a meat stew and ‘Kaw schotel’ are typical local treats which my mother-in-law prepared in a delicious way. Also, ‘Knien in ‘t zoer’ is a long-time favorite of the locals. If you want to taste ‘Maastricht’ you should head to Cafe Sjiek where they also serve ‘beef Verjans’. More trendy and upmarket is restaurant Sofa, along the river Meuse to the south. My two sons love the streetfood version “Frietsje zoervleis” at Friture Reitz on the Markt.There are many local specialities including typical Maastricht vlaai from Bekkerij Hermans, which you can also order at our museumcafe Ipanema. There also local craft drinks: wines from The Apostelhoeve, beer from Gulpener and Brand, ‘Dreum vaan Mestreech’ (Dream of Maastricht) tea, available at Blanche Dael or Coffeelovers, mustards, marmelades or chutneys at Adriaan de Smaakmaker.What are the ideal spots to see live music?In Cafe Forum you can listen to soul tunes and jazz sessions, Theatre aan het Vrijthof is the foremost theatre to enjoy classical concerts, dance performances, comedy, opera or musials. If you are into pop music and dancing try the Muziekgieterij.What are the best streets to hang out at to get an idea of the city’s night life?Wycker Brugstraat, Lumiere Cinema, and of course all the cafes on the beautiful squares such as Onze Lieve Vrouweplein and Vrijthof.Who, among present-day writers, do you think describes Maastricht best in his/her works?I personally feel connected to Frans Bude, who is a poet and who gets inspired by the city and by artists and exhibitions at our museum, including Johan Tahon and Elizabeth Peyton. Writer Wiel Kusters succeeds in ‘making local global’ and gave the 19th- / 20thcentury local artist Pierre Kemp an intriguing monumental status. Unfortunately, their work is barely available in English.All booklovers should head to Dominicanen. Housed in a former church it is is one of the most remarkable bookstores in the world.Any local activity that one must participate in to get the feel like a local?Carnival, in Maastricht it’s the best in the Netherlands, originally a catholic festivity where everybody is dressed up, dances, drinks and makes music. Celebrations take three days, at least.Where would you advise visitors to go shopping?If you like hip and local stores, stroll around in Wyck, buy delicious chocolates at Friandises and sweets at Patisserie Royal. Leon Martens is a beautiful store for fine jewelry and watches. Fashion addicts should try the Stokstraatkwartier and drop into Kiki Niesten.What museums or galleries you would recommend one must definitely visit in the city, even if short on time?Of course, the Bonnefantenmuseum, especially if you are a fine arts or architecture lover. Aldo Rossi designed this magnificent building nearly 25 years ago.Every day I enjoy walking up and down the majestic stairs. At the moment all floors are filled with marvelous exhibitions: a retrospective of over 500 paintings, lamps and drawings by the legendary artist and film director David Lynch. We also have a unique exhibition on the Master of Elsloo, the result of ongoing large-scale research into this enigmatic artist. There is still a lot of mysteryaround the identity of this medieval woodcarver. And there is more: an exhibition on Dan Walsh and an exhibition to honor Ine Schroder, a remarkable female artist who was a major inspiration for many local artists.For those travelling with children I would suggest visiting the Natural History Museum, which is tucked away in the beautiful Jekerkwartier. It’s quite small but it’s like a cabinet of curiosities for for insects, animals, birds, shells and stones. At the moment they have are showing huge pictures of insects by Levon Biss in Microsculpture.If you have time to rent a car, then travel to Wylre Estate, located in the hills of Zuid-Limburg. They are transforming Hedge House, the exhibition area, into a wall, floor and ceiling painting in three colors (red, white and black) by Peter Struycken and the pictures look overwhelming.Any walking trail you would recommend visitors to check out?Wyck – Ceramique : Walk along the cobbled stone streets and discover the stores of local and international brands. If you get hungry, stop by one of the many restaurants and cafes located in the area. See above!Where would you recommend people stay when they visit?Locals barely stay in a hotel in their hometown and I only did so once on my wedding day, 15 years ago, at Crowne Plaza where we had a beautiful suite with a wonderful view over the river and old city. If you like luxury, design and contemporary styling you should definitely consider the Kruisherenhotel, which is part of the Oostwegel Collection. It used to be a monastery and church and has been transformed with great love and respect for the building’s orginal features. If you like to meet other people and are looking for a cozy, bohemian hotel, Townhouse is a great option. They have a lovely lounge where homemade soup is waiting for you. The Student Hotel opened a year ago and will have a great roof terrace later this year.https://www.blouinartinfo.com/              Founder: Louise Blouin

The Armory and the Big Apple

The Armory Show debuted as a platform for dealers to exhibit artists in New York in 1994. Fast forward 25 years (and weigh anchor at Manhattan’s far west Piers 90, 92 and 94): the 20th and 21st-century art fair has ballooned in scale and features galleries
Travel

The Armory and the Big Apple

The Armory Show debuted as a platform for dealers to exhibit artists in New York in 1994. Fast forward 25 years (and weigh anchor at Manhattan’s far west Piers 90, 92 and 94): the 20th and 21st-century art fair has ballooned in scale and features galleries of increasingly international provenance, from Rio de Janeiro to Istanbul to Sidi Bou Said.This latest edition of the fair — March 7-10, with a by-invitation- only VIP Preview Day on March 6 — will draw 194 galleries from 33 countries. Galleries, the core section of the Armory Show, will spotlight solo artists and dual-artist pairings, like a historical presentation of Dorothea Tanning at Alison Jacques Gallery, or the juxtaposed work of Sam Durant and Jim Shaw, who respectively probe urgent socio-political issues, at Praz-Delavallade. The expanded Focus section will include 29 galleries whose artists explore identity through figuration, be it new acrylic paintings by Alex Gardner or photographic portraits taken in New York by Joseph Rodriguez and Jamel Shabazz. Platform, which stages large-scale artworks, will take inspiration from the 1939 New York World’s Fair.As a point of pride for the 25th anniversary year, The Armory Show will reunite exhibitors who participated in the earliest iterations, including 303 Gallery (New York), Tanya Bonakdar Gallery (New York, Los Angeles), Galerie Krinzinger (Vienna) and Zeno X Gallery (Antwerp). “It’s fantastic to have the support of those core dealers who are integral to our history back for this important milestone,” said The Armory Show’s Executive Director Nicole Berry. Berry is set not only on honoring the past but on ushering that legacy forward: last year, she introduced a day-long Leadership Summit, an intellectual forum addressing complex curatorial realities, which will continue this year.We spoke with Berry about which unsung New York museums deserve a visit, the special hotel that doubles as an urban landmark, and why leaving the city ultimately strengthened her devotion to it.How long have you been living in New York?Almost a decade. I left five-and-ahalf years for Chicago [to be deputy director of Expo Chicago] but happily returned almost three years ago.How has the art scene in New York evolved over the past decade?I think it’s become harder for young arts professionals and artists as rents continue to increase; neighborhoods have inevitably changed.How does the local scene dialogue with the global scene?New York remains the art capital of the world, so whatever happens here has a ripple effect. That being said, the internet and social media have made it easier to see art being created around the world and we have benefited from that global perspective.Who is a favorite local New York artist you think more people should know?Naming one artist is like picking a favorite child; I would rather suggest that people who aren’t from NYC take time to visit places that are a bit off the beaten path, like the Noguchi Museum in Queens, or The Cloisters, as well as the public art that can be found throughout the City.What are your “must-see, can’tleave- without-checking-out” recommendations for the city?I think that institutions that might not be as familiar to people are really worth investigating. Some of my favorites are the Asia Society, the Americas Society on the Upper East Side, and the New York Historical Society on the Upper West Side, which currently has a phenomenal Betye Saar show [on view until May 27]. There are also gems like 101 Spring Street run by the Donald Judd Foundation and Louise Bourgeois’s studio, which both require reservations, but give you an intimate look into their worlds.What would be on your agenda if you had a free morning or afternoon in New York?Oh to have free time in the city! I would visit a couple of museum shows (the Guggenheim’s Hilma af Klint [on view until April 23rd] is a must-see) and then head to Dimes in the Lower East Side for lunch. Then I would spend the afternoon leisurely visiting galleries in that neighborhood. If I could cap off the day with a yoga class, that would be heaven.What’s the best place for a morn-ing coffee or tea?I don’t drink coffee but am addicted to my matcha lattes. I go to Matcha Bar on 15th Street religiously. If I am wandering around Chelsea, I will go to Intelligentsia (which I discovered in Chicago) at the High Line Hotel. They have a lovely outside area in the warmer months and a cozy lobby when it’s cold out.What restaurants would you recommend, and what makes them unique?The aforementioned Dimes is a favorite because the food is delicious and the environment is relaxed and friendly. I love The Modern for special occasions because MoMA’s sculpture garden is my absolute favorite place in New York City. Motel Morris is around the corner from my apartment so I love the convenience and it has a classic ambiance.Where would you recommend people stay when they visit?I haven’t stayed at a lot of hotels in NYC but The Beekman is gorgeous. I love that it is a historic building with a nine-story atrium that has been meticulously restored. There is also a fabulous Tom Colicchio restaurant, as well as a Keith McNally one, on the ground floor. It’s where my parents are staying when they come to New York for The Armory Show this year.Do you have a favorite book depicting the city, or an author who writes about the city or region in an especially evocative way?It’s funny, I recently finished a book of short stories that grew from Joan Didion’s 1967 short story “Goodbye to All That” about her experience loving and eventually leaving New York. I love personal essays and, having left New York for a few years and subsequently returning, it was fun to read people’s experiences with New York City throughout its history. New York City has a powerful effect on its inhabitants, and I yearned for it like a lost love when I left. Time away is helpful, but I am so proud to be back and living in a city that challenges me and energizes me on a daily basis — it’s the best city in the world.The Curatorial Leadership Summit you spearheaded last year focused on cultural appropriation, censorship, and representation. What themes will you engage in this year, and what are some essentials from 2018 that you hope to expand upon again?This year’s Curatorial Leadership Summit (CLS), chaired by the incredible Dan Byers, will take into consideration the curatorial focus on recuperations of older artists who have been excluded from the cannon, examining how curators grapple with today’s urgent, complicated identity politics and social questions. This is an important follow up to Naomi Beckwith’s discussions last year around the questions of representation and appropriation.This is The Armory Show’s 25th anniversary year; what celebratory events are planned?We wanted to do something that would reflect both the fair’s history and founders, while also looking forward to the future of the fair. That’s why we are introducing The Gramercy International Prize, a new yearly initiative that supports the advancement of young New York galleries with strong programs who have not previously participated in The Armory Show. A jury of individuals integral to the fair’s early history — collector and advisor Stefano Basilico; independent curator Clarissa Dalrymple, the respective owners and founders of Nicole Klagsbrun Gallery, Andrea Rosen Gallery and 303 Gallery — will award a gallery with a free booth at the fair. This provides a platform for experimentation and discovery with minimal financial risk. This was the most meaningful way we thought to continue in the spirit of the Gramercy years, while also making a difference for the rising generation of pioneering gallerists. The selected gallery’s booth will be located on Pier 94 in a special section devoted to our 25th Anniversary. There, in partnership with Galerie Nagel Draxler, we will present early works of Andrea Fraser and Renee Green that are still incredibly relevant today.https://www.blouinartinfo.com/              Founder: Louise Blouin 

The Many Pleasures of Madrid

For its 38th edition, ARCOmadrid (February 27-March 3) will draw 203 galleries from 30 countries worldwide, attracting new participants like Meyer Riegger from Germany, Rodeo from England, and Edward Tyler Nahem from the US.Over two-thirds of the galleries ar
Travel

The Many Pleasures of Madrid

For its 38th edition, ARCOmadrid (February 27-March 3) will draw 203 galleries from 30 countries worldwide, attracting new participants like Meyer Riegger from Germany, Rodeo from England, and Edward Tyler Nahem from the US.Over two-thirds of the galleries are international, and nearly a third of those are from countries throughout Latin America. Peru is the fair’s guest of honor; Sharon Lerner of the Museo de Arte de Lima will curate a selection of 23 artists from 15 galleries as an introduction to the scene. The “Peru Forum” will discuss Peruvian Contemporary art with insights from visual artist Fernando Bryce, art historian Natalia Majluf, and independent curator Max Hernandez Calvo, among others. Peru will further make its presence known by way of different initiatives in the city’s art centers, like El Instante Fundacion and Fundacion Banco Santander.Other sectors at the fair, like “Opening,” will focus on galleries existant for less than seven years — Barcelona’s Bombon Projects, Milan’s Climate, San Juan’s Embassy and São Paulo’s Se — while the “Special Projects” arm will scatter large-format works by artists like Waqas Kahn, Sandra Gamarra, Jaume Plensa, Sol Calero, Jorge Piqueras, and Engel Leonardo.We spoke to ARCOmadrid’s director, Carlos Urroz, about linking up with Latin America, the continued merits of vintage Almodovar, and restaurants that serve locallygrown vegetables.How long have you been living in Madrid?I have been in Madrid since I finished my studies in the US. It is a fantastic city to live in, with many international projects happening. I have been the Director of ARCO since 2010, although I have participated in the fair since the ’90s: as a gallerist, with an institution, as a collaborator. ARCOmadrid is a relaxed cultured environment, and it has helped me to evolve as a professional. In these last nine years, I have also watched galleries, curators and collectors grow.How has the local art scene evolved in the past decade? How does it dialogue with the global scene?The Madrid scene has been changing and strengthening since the financial crisis. International galleries like CIFO have opened spaces, and there are important collectors such as Patrizia Sandretto. There’s also the active participation of London-based TBA21 with Madrid’s Thyssen- Bornemisza museum.Today, we are all forced to be global: galleries have an international strategy, the Reina Sofia is a global curatorial reference, and at ARCO we have developed strong links with Latin America.ARCO has framed itself as “a Latin American reference in Europe.” Could you elaborate on this trans-Atlantic affinity?ARCOmadrid has become a major reference for Latin American art in Europe. Galleries from the continent are participating, more than 80 leading museum directors and curators will be part of the program and forums, and we are expecting visits from boards for Latin American collections from some of the most important museums in the world.Who is a favorite local Madrid artist you think more people should know?There are so many worth knowing, and who have been given added visibility at ARCO through our awards: Leonor Serrano Rivas, Teresa Solar, Guillermo Mora, Quico Rivas...What are your “must-see, can’t-leave-without” recommendations for the city?Of course, the Prado museum and the Reina Sofia are must-sees! When visiting the Reina Sofia, check out the art galleries around Doctor Fourquet. If you are in town on a Sunday, visit El Rastro, which is Madrid’s lively and surprising flea market.What is the most overrated thing visitors are advised to see when they’re in town?Real Madrid stadium! Hundreds of millions of visitors go to see the inside of an empty stadium.What would be on your agenda if you had a free morning or afternoon in Madrid?I would drop by the Thyssen Bornemiza museum, in the Paseo del Prado cultural area. The CaixaForum and other cultural spaces are right nearby.What’s the best place for a morning coffee or tea?My favorite is Magasand at Calle Columela; they serve organic juices you can take away when visiting Retiro park.What restaurants would you recommend, and what makes them unique?For vegetarians, my favorites are El Quenco de Pepa and La Manduca de Azagra: they both grow their own vegetables. One is in Madrid, the other is in Navarra.Where would you head for the best shopping?Chueca has an interesting mix of old commerce and cool boutiques — and you can always pop into the local art galleries.What’s an authentic item you could only buy locally or regionally?Jamon serrano. It’s not just the quality but also the way they cut it in certain bars.What are the ideal spots to see live music?Florida Retiro is a super lively cabaret and concert hall: worth visiting.Where would you recommend people stay when they visit?Palace Hotel is a classic; ARCOmadrid visitors love it.Do you have a favorite book depicting the city or region, or an author who writes about the city or region in an especially evocative way?“La Colmena,” written by Nobel prize-winner Camilo Jose Cela, which depicts the bohemian atmosphere of mid-century Madrid. Early Almodovar movies are also an interesting source of information on alternative Madrid.What are you most looking forward to about this particular edition of ARCO?The selection of Peruvian artists Sharon Lerner has made for the Peru guest feature at ARCO will be of great interest — as will the design of the “Peru at ARCO” gallery space by architects Mariana Leguia and Maya Ballen.Gathering and mobilizing collectors, including younger ones, seems to be a very active initiative for ARCO. What have you noticed about contemporary collector habits?Young collectors are very well-informed, and most of the time looking for something very specific. For them, the fair is a place where they start a conversation with a gallery about a precise work they might be interested in.This column appears in the February 2019 edition of Blouin Art+Auction. Subscribe at www.blouinsubscriptions.comhttps://www.blouinartinfo.com/              Founder: Louise Blouin

Sun, Beaches and Art in Cape Town

Laura Vincenti is the director of the Investec Cape Town Art Fair (February 15 – 17), now in its seventh edition. She says that Cape Town is the place to be for all art practitioners and connoisseurs as it gives access to the artistic production taking plac
Travel

Sun, Beaches and Art in Cape Town

Laura Vincenti is the director of the Investec Cape Town Art Fair (February 15 – 17), now in its seventh edition. She says that Cape Town is the place to be for all art practitioners and connoisseurs as it gives access to the artistic production taking place in the subcontinent. More than 100 African and international exhibitors are participating in the current edition of the fair, taking place at the Cape Town International Convention Centre. The city’s art scene is one of the fastest-growing in the world, and its flagship fair attracts almost 18,000 visitors, collectors, gallerists, curators, artists and other art lovers from all over the world.Vincenti spoke with Blouin Artinfo on making the best of the fair and the city.What are you most excited about this edition of the fair?There are many things to be excited about in the 2019 edition of Investec Cape Town Art Fair. I’m excited to see the presentations of all the new international galleries who are participating for the first time. I’m also excited to see how the regional galleries have evolved since the last edition. The curated sections are also very appealing, particularly Unframed, where we will have large-scale presentations by two very different artists, Ed Young and Asemahle Ntlonti, as well as a video booth by A4 Arts Foundation showing works by Clement Cogitore and Borna Sammak.How long have you been living in Cape Town and what do you like best about it?I have been living in Cape Town for the past four years, long enough to begin feeling like home here. One of the reasons I like Cape Town is the lifestyle it offers. It’s a beautiful city with some of the most amazing views of nature. There’s a good variety of restaurants and boutiques spread all over the city. And of course, the local art world is what attracted me here. The mix of artists and the diversity of their different aesthetics and contexts is really unique. Cape Town gives access to the artistic production taking place all over the continent.What is your favorite time of the year to enjoy Cape Town and why? February, the sun is warm and the wind is down. What are the places/venues in Cape Town that you would recommend all visitors to not miss, even if they are coming for a short trip?Kirstenbosch Botanical Gardens are gorgeous and perfect for a picnic, I would absolutely recommend this. Also a trip out to the vineyards, Franschoek and Stellenbosch have so much to offer too, Babylonstoren and Boschendal have beautiful farms, with gardens, great restaurants and incredible scenery.What are the best restaurants serving local cuisine?There is a new restaurant which has opened around the corner from my house called Upper Bloem which is inspired by flavors of Bo-Kapp, I love it there.Where would you dash off to for a quick coffee and/or snack?Places I always like to go are The Strangers Club, the Blue Cafe, and the Botanical Bar, all of them are intimate and laid-back, with beautiful interiors.What are the best theaters to check out new plays and other live performances?The Fugard Theatre and Baxter Theatre both show fantastic locally-produced plays. The Alexander Bar and Theatre is great for watching plays by independent playwrights which are a bit more experimental and smaller in scale.Any activity that one must participate in to get the feel like a local?If you don’t get up at 4.30am for a morning surf, hike, or cycling, or for a yoga class, at least on an occasion, you are not a real Capetonian! What would you do if you had a free morning or afternoon in the city?In the morning, I would definitely choose a walk by the ocean on the Noordhoek beach, with a stop on my way back to town at the Norval Foundation to take a look at the collection and their exhibitions.For a free afternoon, I would choose a more city-focused activity, like browsing for interesting books at Clarkes, or looking for rare objects in vintage shops in Long Street. Then I’d take a look at the art galleries in town and in Woodstock to see the latest exhibitions.What museums or galleries you would recommend one must definitely visit in the city, even if short on time?The public collections of the Iziko National Museums are all very interesting. These are the national museums dedicated to art, natural and social history, and historic homes with art collections, all fairly close to each other.Cape Town has also seen a boom of fantastic private collections such as Zeitz Museum of Contemporary African Art, The Norval Foundation, and A4 Arts Foundation. They all have fascinating exhibition programmes, and are filled with the highest standard of Contemporary and Modern art. It’s worthwhile to see as many of the galleries as you can when you’re in Cape Town. They’re all more or less grouped together in the CBD and in Woodstock, and they all have something completely fresh and unique to offer.Where would you recommend people stay when they visit?If you really want to spoil yourself, Ellerman House and Pod are both incredible experiences. There is also In Awe Stays which is a beautiful, historic house in the Victorian-style that characterises a lot of the city’s most iconic architecture.Do you have a favorite book depicting the region, or an author of any provenance who writes about the region in an especially evocative way?JM Coetzee is the most well-known Cape Town writer. There is also The Quiet Violence Of Dreams by K. Sello Duiker, a novel that has inspired the work of many artists and curators working in the city.https://www.blouinartinfo.com/              Founder: Louise Blouin 

Shanghai Native Weiwei Wang on the Biennale and her City

For its 12th edition, the Shanghai Biennale has christened itself “Pro-regress — Art in an Age of Historical Ambivalence,” pointedly expressing its skeptical outlook.The premise is an extension of the 2015 Venice Biennale curated by Okwui Enwezor, whic
Travel

Shanghai Native Weiwei Wang on the Biennale and her City

For its 12th edition, the Shanghai Biennale has christened itself “Pro-regress — Art in an Age of Historical Ambivalence,” pointedly expressing its skeptical outlook.The premise is an extension of the 2015 Venice Biennale curated by Okwui Enwezor, which wrestled with the theme of “constant realignment, adjustment, recalibration, motility, shape-shifting.” The biennale’s Chinese title, Yubu, is named after an ancient dance used in Daoist rituals, and is intended to symbolize the flux of a troubled social order.This edition, which runs until March 10 at the Power Station of Art (mainland China’s first staterun Contemporary art museum), was curated by Cuauhtemoc Medina, Maria Belen Saez de Ibarra, Yukie Kamiya, and Weiwei Wang. The curatorial team reckon with the problems not just within the art world, but society at large. Works span Enrique Ježik’s speciallycommissioned “In Hemmed-In Ground” (which spells out, using bundled cardboard, the phrase “one step forward two steps back, two steps forward one step back” in large-scale Chinese characters); Yishai Jusidman’s “Prussian Blue,” a set of acrylic paintings based upon photographs of Nazi concentration camps; Voluspa Jarpa’s “Monumenta,” which shows strips of defaced archival documents; Hsu Che-Yu’s “Lacuna,” a video narrating troubling events from the artist’s youth in Taiwan through the lens of personal memory.In an interview with Modern Painters, curator and Shanghai native Weiwei Wang spoke about the Biennale, about shifting artist ambitions, and a few key spots in the city despite the fact that she confessed she prefers “staying at home with my books and my cat.”How long have you been living in Shanghai?Thirty-two years. I was born in Shanghai, and currently live and work in this city.What’s the best place for a coffee or tea?There are some nice cafes serving good coffee on An Fu Road, Fu Xing West Road, and around that area.What restaurants would you recommend?I love Xing Guang Fang Liang. They have the best crab dish there. Crab is a very unique and famous specialty in Shanghai’s autumn and winter season.What is the ideal spot to see live music?Mao Live House.Where would you recommend people stay when they visit?The Okura Garden Hotel.What is the most overrated thing people advise visitors to check out when they’re in town?The Bund, although the architecture is worth some time, notably the Peace Hotel, the Rock Bund Museum, and the lobby of the SPD Bank.What’s an authentic item you could only buy locally (or regionally)?Something created using local materials. There’s a design shop called Brut Cake, and they use traditional Shanghai fabrics to fashion into hand-made bags, mats, wallets and other items.What would see if you had a free morning or afternoon?I would go to Shanghai Library, followed by a cafe nearby. Otherwise I would go to the Shanghai Museum: They always have nice exhibitions, as well as displays of ancient Chinese art, collections of Chinese paintings and Chinese ritual bronze.Do you have a favorite book depicting the city or region, who writes about the city or region in an especially evocative way?No favorite, but I will recommend a book named Fan Hua, by author Jin Yucheng. I’m not sure if it’s translated into English.How would you say the local art scene has evolved in the past decade? How does the local arts scene dialogue with the global scene?The dialogues are developing in a more multilayered way. More art museums have opened and more art fairs are held in Shanghai, which in turn attract more international art experts here. These events set off a lot of international exchanges. Also, many figures have become more proactive than they were before about their international activity: some local artists are trying to break onto the international stage by themselves. They’re not just waiting to be picked by international curators or institutions for shows. This new generation is more open about collaboration with different organizations, even commercial companies.What are you most proud of regarding this edition of the Shanghai Biennale?In this edition, we were able to invite a large number of Latin American artists: Their creations have rarely been seen before by Chinese audiences. I’m happy that this edition of Biennale can bring some new perspectives to the Chinese art scene.Can you elaborate on the title “Pro-regress: Art in an Age of Historical Ambivalence”? What does it mean to frame a biennale as part of a larger intellectual struggle?I believe there’s no denying that we are living in unprecedented chaos, if we look at the world with a realistic view. Rapid economic and technological development have accelerated the trend of globalization, bringing about a certain degree of flatness and homogeneity. This stimulates the discontents of different societies, territories, civilizations and value systems simultaneously. The Information Revolution has driven liberal democracy in the international world, but has also lead to a number of conflicts and dilemmas. This contradiction —between progression and regression, liberation and imprisonment — is not actually a new phenomenon, and exists in every aspect of politics, society, history, and culture. But in today’s China, considering the rapid development of the economy, and the forces imposed upon culture and art by capital and politics, we believe that “Proregress” is worth discussing. It can raise new issues, and extend to a range of different topics. Contemporary art — which brings forth various subjective experiences and unique poetics — may provide us with some methods and perspectives to reflect on the range of disputes, anxieties, contradictions and conflicts, and help us to deal with the power of society’s perverse games.This article appears in the February 2019 edition of Blouin Modern Painters. Subscribe at www.blouinsubscriptions.comhttps://www.blouinartinfo.com/              Founder: Louise Blouin 

Rotterdam with Anne van der Zwaag of OBJECT Design Fair

Object, a design fair held in the industrial HAKA building in Rotterdam, attracts collectors, professionals and “other designminded people.” Running February 8-10 this year, this platform for limitededitions and new projects stems from a by-invitation sel
Travel

Rotterdam with Anne van der Zwaag of OBJECT Design Fair

Object, a design fair held in the industrial HAKA building in Rotterdam, attracts collectors, professionals and “other designminded people.” Running February 8-10 this year, this platform for limitededitions and new projects stems from a by-invitation selection of designers, both established and emerging, who work across different disciplines.The assortment of participants is eclectic: the artist Lizan Freijsen translates stains into ceramics, textiles, and hand-woven carpets; Fabrique Publique use social issues, such as pollution or women’s rights, to inspire cheeky designs from furniture to tableware. Post Modern orchestrates affordable postcard-sized artworks of bigger, pricier works to make Contemporary art accessible to a wider audience; Holyscrap’s handmade furniture repurposes remainders from custom projects into new pieces. The fair is interwoven with other events from Art Rotterdam Week, February 6-10, and Haute Photographie, running February 8th-10th.BlouinShop spoke with Anne van der Zwaag, the Director of OBJECT, about her favorite Rotterdam galleries, the forthcoming auction she’s excited about, and what touristy things are actually kind of fun to indulge in.How long have you been living in Rotterdam?I have been working in Rotterdam for almost 10 years now.How has the local design scene evolved in the past decade?The creative scene has grown enormously. Artists and designers, such as Joep van Lieshout and Richard Hutten, opened their studios and ateliers on the outskirts of the city a long time ago, but they were really pioneering. Now Rotterdam is THE place to be for designers, architects and artists.Many well-known Dutch names in the international scene have chosen Rotterdam as their base and a lot of young talents are setting up shop here, right after they graduate. The city really supports this and there are still quite some areas where you can find interesting and not-too-expensive work spaces.How does the local scene dialogue with the global scene?In the past years, Rotterdam has evolved into this very dynamic and attractive metropole with an enormous international reputation. That is due to the creative scene but also the many architectural highlights and interesting exhibitions, the rich food culture that developed as well as the open and multicultural climate. A lot of professionals and tourists choose Rotterdam over Amsterdam, and I understand why!Who is a favorite local Rotterdam designer you think more people should know?Well that is pretty hard; there are so many! To discover young talents, pay a visit to the Keilewerf 2, a former harbor area where a lot of young designers have settled and open up their studios.There’s Lotte Douwes, Simone Post, Iwan Pol, and David van der Stel, to name just a few.What are your “must-see, can’t-leave-withoutchecking- out” recommendations for the city?I love Katendrecht, the Fenixloodsen and the Deliplein. Here you can find some very good restaurants, a local market, second-hand shops and nice cafes. Take the walking bridge to the other side of the water, have lunch at Hotel New York and visit the Dutch Photography Museum. This area is full of energy and will be more and more developed in the upcoming years: The Foundation Dream&Do is transforming an old warehouse over here into a kind of Dutch sister-site to Ellis Island.What is the most overrated thing people advise visitors to check out when they’re in town?That might be the Markthal. Don’t get me wrong: it is an extremely interesting building and I love the big artwork integrated into it, but it has commercialized quite a bit. If you want to discover the real Rotterdam, you have to dig deeper and go outside the city center. What I do advise is to visit the Euromast (because it has a stunning view), and take the watertaxi (at least one time, since it is such a fun experience), and go have a drink at the historical cruiseship SS Rotterdam. It all sounds tourist-y, but is worth your while.What would be on your agenda if you had a free morning or afternoon in Rotterdam?Rotterdam has many interesting museums, such as De Kunsthal, which I visit during the vernissage of a new show. I hardly have a free morning or afternoon so if I do I’d take the time to check out some local design and art galleries such as VIVID, Frank Taal, Cokkie Snoei, Wilfried Lentz — some of my favorites.What’s the best place for a morning coffee or tea?Hopper is a perfect place to go in the morning. It is conveniently located in the lively Witte de Withstraat and serves yummy bread and very good coffee.What restaurants would you recommend, and what makes them unique?Ayla is high up my list. They make amazing Mediterranean food, the atmosphere is relaxed and the staff is great. A new gem in town is Louise, a little French restaurant located in the Veerhaven, one of the more historic parts of town. It is like a Paris bistro, intimate with fine wine and quality food.Where would you head for the best shopping?Well, I am absolutely a fashion victim. One great store is owned by Margreeth Olsthoorn: she has the best collection of contemporary fashion designers for women and men. The style is very ‘now’ and a bit edgy. Margreeth is also a fashion curator and stylist: she really takes the time to help you choose your style, without being pushy. Mostert van Leeuwen is located in the city center and a bit more classical. But they offer a nice selection of the best fashion labels. Visit Joline Jolink: she designs all the very stylish but comfortable items in her store herself.What’s an authentic item you could only buy locally or regionally?Stookolie, a black drink created by a group of Rotterdam-based artists. Quite heavy but with a very good strong taste, since it contains a touch of black pepper. Best to mix it with some tonic since it is 45 %! The drink comes in a nice bottle with a recipe and you can also buy little glasses that go with it!What are the ideal spots to see live music in town?Bird is a jazz and nightclub right underneath the Hofbogen and close to the central station; you can chill out to jazzy tunes, but also enjoy good soul, funk, hip-hop and electronic tunes as well. For some real disco dancing, head just around to corner to the club Annabel.Where would you recommend people stay when they visit?The Nhow hotel has stunning views over the city and the famous Erasmus Bridge. Especially the rooms higher up in the building offer an amazing experience at night. Much more intimate and smaller is Hotel Stroom, in the Lloyd area. Last but not least, the old restored cabins at the SS Rotterdam — I am a sucker for romance, and they really recall the olden days.Do you have a favorite book or author who writes about the city or region in an especially evocative way?Yes, I love and collect the travel books of Pauline Egge, alias Petite Passport: she writes about all the interesting cities she visits and really knows the best spots in her hometown. Then there is Patrick Kooiman, the Interiorator. He’s a very colorful design blogger that roams the country as well as Rotown. My favorite novelist is absolutely Ernest van der Kwast; he also has a talk show on Worm, which is always interesting and absolutely recommended.What are you most looking forward to about this edition of OBJECT?Over the past years, the fair has developed rapidly as a must-see for creative professionals and design lovers, expanding in participants as well as square meters. A well-balanced and curated combination of familiar names with young talents across design disciplines offers an inspiring experience. OBJECT is known as a stepping stone for upcoming designers and the place to spot new talent. I selected over 40 to join us! Our location this year is a former trade building — a fine example of Modernist architecture, designed in the ’30s by the Dutch architects Mertens and Koeman. The HAKA is owned by Dudok Groep and will soon be transformed into a dynamic workplace with an attractive restaurant, so I would definitively keep an eye on this future hotspot in town. In the meantime, we will keep our eyes open for a new and dazzling location.Is there anything you’re doing differently in 2019 relative to the previous editions?Every edition we add new elements to the fair. This year we are organizing a special design auction. Architect and designer Rolf Bruggink is renovating small schools in isolated villages in Senegal. With a group of friends, they put in their own time and money to hire local craftsmen and buy local materials as well as school supplies. Several of our friends have been so kind and generous to support the cause and donate design items for our auction. Every penny of it will be invested in the school itself and that’s exactly what I like so much about it.More information: www.objectrotterdam.comhttps://www.blouinartinfo.com/              Founder: Louise Blouin

Founder of Zonamaco Fairs on Mexico City and its Art Scene

Mexico City, the largest metropolis in North America, is sinking, as much as one meter a year, but it’s reputation as an art capitol continues to skyrocket.ZONAMACO, founded in 2002 by Zelika Garcia, has done more than its part to draw international attenti
Travel

Founder of Zonamaco Fairs on Mexico City and its Art Scene

Mexico City, the largest metropolis in North America, is sinking, as much as one meter a year, but it’s reputation as an art capitol continues to skyrocket.ZONAMACO, founded in 2002 by Zelika Garcia, has done more than its part to draw international attention to the art market in Mexico City and Latin America at large. Since its inception, ZONAMACO has blossomed into four distinct fairs covering different aspects of the art world, from photography to design, and, in its sixteenth year, boasts more than 180 exhibitors from 22 countries at its signature Contemporary art fair. In an interview with BLOUIN ARTINFO, Garcia talks about the history of the art fair, the culinary delights of Mexico, and the countless cultural opportunites Mexico City has to offer. ZONAMACO will take place at Centro Citibanamex February 6-10.What can visitors expect from this year’s edition of ZONAMACO?The 16th edition of ZONAMACO will gather more than 180 galleries and exhibitors from 22 countries of America, Europe and Asia. For the second consecutive year, the curator of ZONAMACO SUR (ZMS) section will be Kiki Mazzuchelli [and will] focus on the idea of the “performative.” For the first year, the curator of [the] New Proposals section will be Jose Esparza Chong Cuy. This section will present artistic practices that, as the title suggests, aim to change frameworks. Rather than focusing on the time-based definition of “new,” this section will showcase work by artists that point towards imaginative and experimental ways of living and thinking.What are you most excited for personally?This year we present an exhibition space called SAMPLE curated for the first time by Jose Esparza Chong Cuy who also curated the section: New Proposals.How has ZONAMACO evolved from what you initially envisioned in 2002?Since 2002, my main objective has been to bring art to the public and promote the specialization of collectors among Mexican and foreign attendees. Nowadays ZONAMACO is the most important art fair in Latin America featuring international Contemporary and Modern art. ZONAMACO now is a platform with four different fairs: we organize ZONAMACO Mexico Arte Contemporaneo simultaneously with ZONAMACO Diseño in February and ZONAMACO Salon del Anticuario in parallel with ZONAMACO Foto.What compelled you to expand ZONAMACO into other sectors like design, antiques, and photography?Throughout these years the fair has grown in direct relation with the international scene. Since its opening, ZONAMACO has become a multidisciplinary event with Contemporary art, design, antiques and photography. By featuring these specific areas, ZONAMACO has responded to the way institutions, galleries, and exhibitions specialize, in Mexico and abroad.How did you first get involved in the art world?I’ve always loved art and I’ve always been into learning about aesthetic and design. I studied Arts at Monterrey University (Mexico) because I wanted to be an artist. Afterwards, I started ZONAMACO and that has been my main project for the last 18 years.How has the art market in Latin America changed since you first got involved?Latin America has a great strength that is increasing. Each country in the region has its own projects and initiatives that undoubtedly contribute to the visibility and incorporation of Latin American artists to the international scene.What helped make Mexico City into the arts destination it is today?Mexico City is a place where everything happens, it’s very international, has countless cultural venues, the food is spectacular, [and] it’s a city with great artistic production. [T]hat’s why, this is an art destination and the best place for events like ZONAMACO, where we can build a network among actors in both local and international scenes.Are you from Mexico City originally? If not, what drew you to the city?I’m from Monterrey. I moved to Mexico City in 2003 because I liked the location. This city is one of the largest metropolitan areas of the world.Is there a local dish that visitors must try? If so where’s the best place to go for it?I recommend eating at Fonda el Refugio, which has a menu with classic Mexican dishes. Also, I like Contramar, [which has] great Mexican style seafood; El Bajio is the best real Mexican; Pujol is fancy Mexican and their taco bar is a real culinary experience, as well as Mercado de San Juan!What neighborhoods do you find most exciting in terms of art and culture?Talking about art, San Miguel Chapultepec, Condesa, and Roma neighborhoods are the main spots in the city.What is your favorite art and non-art museum in the city?In Mexico, the Museo Anahuacalli, the Museum of Anthropology, and the Museo Universitario de Arte Contemporaneo (MUAC) are some of my favorites.ZONAMACO will take place at Centro Citibanamex, Mexico City, February 6-10.The interview appears in the February 2019 edition of BlouinShop magazine. Subscribe on www.blouinsubscriptions.comhttps://www.blouinartinfo.com/              Founder: Louise Blouin

The director of Photo LA on What she Loves About her Hometown

Photo LA returns for its 27th year as the longest-running photographic art exposition on the West Coast, and this year it’s in a new home, the Barker Hangar. With soaring vaulted ceilings and arched steel trusses, the 35,000-square-foot former airplane hang
Travel

The director of Photo LA on What she Loves About her Hometown

Photo LA returns for its 27th year as the longest-running photographic art exposition on the West Coast, and this year it’s in a new home, the Barker Hangar. With soaring vaulted ceilings and arched steel trusses, the 35,000-square-foot former airplane hangar will house a roster of 50 – 65 local and international galleries and dealers, collectives, leading nonprofits, art schools, and global booksellers. The 2019 edition will also feature lectures, round-table discussions, special installations, and docent tours by industry leaders.Claudia James Bartlett, director and owner of Photo LA, spoke to Blouin Artinfo about the fair and some of her favorite aspects of her hometown.How long have you been living in Los Angeles and what do you like best about it?I have lived in Los Angeles for most of my life, but I went to art school at the University of Seattle. What I like best about Los Angeles is that it can be what you want it to be. There is so much opportunity. There is a lot of room to carve out and invent.How has the art scene evolved in the past few years?I have worked in the arts in Los Angeles since the ’80s. The art scene used to be a cozy situation where you knew almost everyone. You could go to every show in town every month! Now, there are so many more artists, galleries and museums. We used to talk about it being like this….and Wow… now it is competitive internationally.What do you find the most exciting in Photo LA this year?This year is really a huge re-brand for us and I couldn’t do it without our team, but of course the galleries and private dealers that have come forward early. There are many that have been very supportive. If I had to name a few they would be The Etherton Gallery, Paul Hertzmann Inc, Monroe Gallery of Photography, Nino Mier Gallery, Danziger Gallery, Peter Fetterman, Joseph Bellows Gallery, Galerie XII, Daniel Miller Gallery and Richard Moore Photographs. I am also excited that we have 10 galleries coming from China. This is a huge cultural exchange that I am very proud and excited about.Capturing various aspects of human life via photography, several Chinese galleries and organizations participating in Photo L.A. 2019 will represent different photographic styles and features, including Cipa Gallery, specializing in classic photography artworks; View Art Gallery, focusing on Contemporary photography artworks; Yingshang Photobook Collection, collecting domestic and overseas photography books and historical materials; Cube Art Gallery, dedicated to organizing academic exhibition and implementing art projects; MINO Gallery relying on the Dali International Photography Exhibition; Pan-View Gallery offering extensive operation experience; 9 ART, concentrating on new and emerging photographers, SIPA USA, a famous international photography brand, and SoPhoto Gallery, a professional photographic gallery belonging to sophoto.com.cn, a Chinese cultural and geographic photography bank. In addition, CAC International helps individual Chinese photography artists travel to the United States of America for international exhibitions.Beyond this... our programing is outstanding. Carter Mull, director of Programing Photo L.A. 2019 has done a fantastic job bringing together artists, photographers, curators and critics such as Weston Naef, curator emeritus, Department of Photography, J. Paul Getty Museum; Ryan Linkof, curator of Film at the Lucas Museum of Narrative Art; Britt Salvesen, department head and curator, Wallis Annenberg Photography Department and the Department of Prints and Drawings, LACMA; Paul Martineau, associate curator in the Department of Photographs at the J. Paul Getty Museum [and many others].In what ways has living in Los Angeles changed your ways of seeing — about art or anything else?Los Angeles has always seemed like there is room. It is the West…. It is spread out and that allows you to develop your own way of seeing. Plus, I think people here are very open to new ideas and that always changes how you look at things, in life and art.Do you have a favorite Los Angeles artist, whom you think more people should know about?There are so many… Carter Mull who does the programing for Photo L.A. Siri Kaur, Heather Rasussen & Phil Chang who I have worked with while I was directing a gallery, and, just recently, Photo L.A. went to Brian Bress’s studio (My husband showed him in his gallery in the early 2000s). They and so many others are all doing incredible work.What is your favorite time of the year to enjoy Los Angeles and why?The Fall. There is just something in the air.What are the places/venues in Los Angeles that you would recommend all visitors to not miss, even if they are coming for a short trip?Our beaches, Venice and Santa Monica. I grew up going to the beach almost every day… I miss doing that! And of course our museums of late have become really terrific: LACMA, The Getty, The Broad.Is there a local cuisine? What are the best restaurants serving local cuisine?I can’t help myself, I love Italian: Angelini Osteria… The best Italian in the city as far as I am concerned. Then there is Escuela Taqueria. I love their burritos.What are the ideal spots to see live music?The Hollywood Bowl in the Summer. It old and yet it’s new.What are the best streets to hang out at to get an idea of the city’s night life?Sunset Boulevard and Hollywood.Who, among present-day writers, do you think describes Los Angeles best in his/her works?To my best knowledge, Joan Didion’s writings inhabit the very essence of Los Angeles. It still holds up.Any activity that one must participate in to get the feel like a local?Take a hike in the Santa Monica Mountains or a drive along the PCH (Pacific Coast Highway).What museums or galleries you would recommend one must definitely visit in the city, even if short on time?The Getty, LACMA, the Broad, the Marciano Foundation, galleries that show photography — Peter Fetterman, Nino Mier, Gallerie XII, De Soto Gallery, Lapis Press, Rose Gallery, Duncan Miller Gallery, KP Projects Gallery, Kopeikin Gallery, Fahey Klein Gallery & Joseph Bellows and Susan Spritus (in the South Bay).Any walking trail you would recommend visitors to check out in the city and/or the surrounding areas?Runyon Canyon Park.Where would you recommend people stay when they visit?The Standard in Hollywood or Downtown.https://www.blouinartinfo.com/              Founder: Louise Blouin

Art in the hub of Banking and Diplomacy

As a haven for banking and NGOs, Geneva sometimes gets a bad rap for being a bit staid and very expensive. But the city’s lovely setting favors those who love the outdoors and its fine art scene is growing. On that last point, in late January art lovers wil
Travel

Art in the hub of Banking and Diplomacy

As a haven for banking and NGOs, Geneva sometimes gets a bad rap for being a bit staid and very expensive. But the city’s lovely setting favors those who love the outdoors and its fine art scene is growing. On that last point, in late January art lovers will flock to Geneva for artgeneve, an international art fair founded in 2002 by Thomas Hug.Hug studied music in Berlin but, shortly after graduating, was drawn into the social circles of artists, collectors, gallerists and soon started his own gallery. After exhibiting at the circuit of top art fairs, he wanted to start his own and founded artgeneve in his hometown. Hug discussed his entry into the art world, his relationship to music, and the new sectors in artgeneve with BLOUIN ARTINFO. artgeneve takes place at Palexpo from January 31 to February 3.How did you first get involved in the art world?Socially. My life before this was music. I studied musicology and classical piano in Berlin. In Berlin, I came closer to this world of Contemporary art in a social way — going to galleries, parties. I related to the art world and, for me, that was something absolutely new because I had only studied dead artists, composers from the past and it was magical for me to see all this contemporaneity in the world. I started a gallery with a friend in Berlin with a strong music program. We did all the important art fairs – Art Basel, Frieze, Los Angeles. After five years, I had the feeling to start my own art fair in Geneva.What do you mean when you say you had a feeling to start your own art fair? Did you see an opening? Did you want to do fairs differently?Yes, absolutely. Participating as a gallerist, I had a view of the reality of this activity. For me, it was simply that Geneva was a perfect place for an art fair. More personally, I was looking for a global activity. The gallery business is fascinating, but it is very particular.Was there a strong art community already established in Geneva that gave you the confidence that you could pull off an art fair?When I last lived in Geneva, I was not at all in this world. When I came back, I had no relations in the art world. I noticed that the collector base is very strong here, not only in Geneva, but in Romandy, the French-speaking part of Switzerland. And they were supportive of the fair.In terms of museums and institutions in Geneva, the developments in the past years have been quite interesting, you could notice a common wish to develop artistic activity. This is not a city of galleries. But that’s also a reason why I think the fair is quite successful. Art fairs are often developing work in places without many galleries.What can visitors expect from this year’s edition of the art fair?When we started in 2002, we tried to start a new fair, but also a new concept of a fair. Our concept was of a salon, “meeting room” in French, [and it] is very present in this edition. [We] have commercial galleries of course, around 90, but we also have a lot of curated projects and institutional presence. Between 20-30 non-commercial shows are presented this year. So, more than ever, we have a dialogue between the art market and the institutional world.You talked about the museum scene developing. What is an art and non-art museum you would recommend?MAMCO (Museum of Modern and Contemporary Art) is absolutely great. The new director, Lionel Bovier, has been there for two years. For a non-art museum, I would say Fondation Martin Bodmer. [It’s] for everything that is written, so they have a lot of manuscripts dating back to the origins of humanity. They have unique pieces of the Bible, of Beethoven’s scores, things like that.For those who might have an extra day, is there a nearby town you’d recommend for a day trip?The city is not big, but it is very international. Geneva is also quite attractive because of the nature and, in my eyes, it is absolutely wonderful. During the art fair, we have a lot of VIP people who stop at the fair and then go to the mountains to ski.I forgot to mention one thing that is important in my eyes. The new sector we developed is in design with PAD, Parisian Art + Design. During Frieze in London, we started a collaboration with them. So now, in Geneva, we have not only Contemporary and Modern art, but collectible design and primitive art. https://www.blouinartinfo.com/              Founder: Louise Blouin

The Best of Brussels with BRAFA’s Beatrix Bourdon

Beatrix Bourdon, the managing director of the BRAFA Art Fair, is not native to Brussels, but she has adopted the city as her own, and her enthusiasm for its charms and for BRAFA is infectious.BRAFA, one of the world’s oldest art fairs and the one that arriv
Travel

The Best of Brussels with BRAFA’s Beatrix Bourdon

Beatrix Bourdon, the managing director of the BRAFA Art Fair, is not native to Brussels, but she has adopted the city as her own, and her enthusiasm for its charms and for BRAFA is infectious.BRAFA, one of the world’s oldest art fairs and the one that arrives first on the calendar each year, will bring together 133 galleries and art dealers from 16 countries for its 64th edition January 26-February 3. The fair hit a new record for attendance last year — more than 65,000 visitors — and continues to have the steady participation of an elite selection of Belgian and European galleries. BRAFA 2019’s guests of honor, Gilbert & George, bring a pleasing marriage of British eccentricity and Belgian Surrealism to this year’s event.In an interview with Blouin Culture + Travel, Bourdon spoke about Brussels’ vibrant cultural life, her favorite spots around town and why the best time to visit the European capital is January.Are you from Brussels originally?No, I’m not from Brussels but I’ve been living there since 2000. So it’s been 20 years and I was born on the Belgian coast. When I arrived in Brussels, I thought the city was very big, but in fact it’s a big village with lots of nice little neighborhoods.What keeps you living in Brussels?My friends and the culture. Everything is very easy to access too. There are concerts and beautiful temporary exhibitions. The city is very pleasant to live in, we are not in Paris, London or New York and it is a big village. But everyone goes through Brussels because it’s the European capital.What are you most excited about this edition of BRAFA?I hope collectors will find the fair very beautiful. I believe its quality has increased. It is an audience of connoisseurs who will recognize the level of the fair. We want it to remain friendly and enjoyable at the same time. This year, we have our guest of honor, Gilbert & George as well, and we have 100 years of the ROCAD (Royal Chamber of Art Dealers). We do a lot of events and we also work a lot on the city of Brussels. So I hope it will be recognized by the people who come to visit us. We also have new galleries, so I think the fair is very balanced. It remains very eclectic because we had opened a new category for Contemporary art five years ago. With the new galleries accepted, there are galleries of ancient art, archeology, until today. I think it’s very important for us to keep this eclecticism. And also there are no sections in the fair. It’s a fair where all the arts are mixed. For example, there will never be two old art stands next to each other. I think it’s nice for the visitor each time to discover a new stand, a new period, another era. It makes the visit a lot more interesting.What is your favorite time of the year to enjoy Brussels and why?During the fair! In January! We have a whole program off, we have a lot of partnerships with institutions and cultural foundations and private collectors open their gallery to the public. It’s really a good time. There is, for example, a preview of an opera on Sunday, “La Joconda.” Any time is good but especially now. In other capitals, there may be a little less to do at this time too.Any local activity that one must participate in to get the feel like a local?All the temporary exhibitions! Here, Ixelles is very handsome. There is also les Sablons, where you can find all the antiquarian. Around Georges Brugmann place, or Chatelain neighborhood, as well as Boniface.What would you do if you had a free morning or afternoon in the city?I would have a lunch in the morning or visit an exhibition. We have amazing museums and very awesome permanent collections. I would definitely go to see the high lights of the Cinquantenaire Park.Where in the city would you go to catch up on a book?There is the wonderful library — the Albertine, the Royal Library — and a very interesting and beautiful art bookshop, Filigrane. There are many places in Brussels to relax and read…What museums or galleries you would recommend that one must definitely visit in the city, even if short on time?Two galleries are amazing, and I love them: Desmet Gallery, specialized in Renaissance art in the neighborhood of the Sablons, and Jacques de la Beraudiere gallery, always very sharp, speciallized in the art of the 20th Century. As regards museums, I love the temporary exhibitions of BOZAR, and there is this new museum, the Africa Museum, which was closed for five years, and has just reopened in December. It is a real splendor! A must on the international level. It is also part of our past, Africa and the former colonies.Any walking trail you would recommend visitors to check out in the city and/or the surrounding areas?La Cambre Park, which is beautiful, Sonian Forest, or “Le Petit Sablons” right near the eponymous neighborhood. In Brussels, each neighborhood has its own park. It’s really nice and green!Where would you dash off to for a quick coffee and/or snack?The cafe La Fabrique en Ville, in the center of the town, in the Degmont park.Where would you recommend people stay when they visit?I would say the Amigo hotel and the Plaza hotel. They have a very professional service. These are five-star hotels but very family friendly, in sync with the image of Brussels. These are not impersonal hotels.Do you have a favorite Belgian artist, who you think more people should know about?I would say Fernand Khnopff, who lived in Brussels.In what ways has living in Brussels changed your ways of seeing — about art or anything else?Through the proximity to Europe, we have the opportunity to easily visit all the exhibitions. So we are very aware. All temporary exhibitions go through Brussels. In our museums there are real treasures and there is a lot of exchange abroad.Would you recommend a book about Brussels?There is a beautiful book that came out about ten 10 years ago, which includes all the outdoor sculptures in the parks that people do not see: “Bruxelles. 200 sculptures se racontent” (Brussels. 200 sculptures tell their stories).https://www.blouinartinfo.com/              Founder: Louise Blouin

Kim Martindale on LA’s Evolving Art Scene

Originally from Southern California, Kim Martindale has, from the spirited age of 16, organized art shows around the American West.But he’s also an artist in his own right and someone who has developed varied interests during a nomadic life. Martindale has
Travel

Kim Martindale on LA’s Evolving Art Scene

Originally from Southern California, Kim Martindale has, from the spirited age of 16, organized art shows around the American West.But he’s also an artist in his own right and someone who has developed varied interests during a nomadic life. Martindale has lived and studied in Asia, worked for Sotheby’s in Los Angeles and Hong Kong, and is well-known for producing events in the American tribal world.He is now settled in Southern California; he began producing the LA Art Show more than 20 years ago, and has helped develop Los Angeles as a premier art destination in the United States.In an interview with BLOUINSHOP, he discussed the evolution of art collecting in Los Angeles, what a comprehensive art show looks like, and the exciting developments in downtown LA and the city at large. The LA Art Show will take place from January 23-27 at the Los Angeles Convention Center.Can you give an overview of what people can expect from this year’s edition of the LA Art Show?There’s something to expect every year at the LA Art Show as it is a really comprehensive show. We have work that extends from cutting edge Contemporary, to the Roots section of the show, which is historic work and there’s about 10 galleries in that area. The emphasis of the show is Modern and Contemporary, and then it’s about showcasing things from 18 different countries.But then we have these other sections that help broaden one’s perspective of art and where art came from and important artists in the past and artists that are doing different types of artwork.Can you give an example of something that “broadens” one’s perspective?Renoir. Trinity House from London and New York is part of Roots, and this year they’re bringing A Renoir painting.Is there an aspect you’re most excited for personally?This year I’m really excited for the ink painting part of the show. We have seven galleries bringing ink paintings from China, Korea, and Japan. It’s something that, in the Western pantheon, no other show emphasizes ink paintings and it’s a huge part of the art world. It’s a tradition that’s older than oil painting. It’s a tradition that, in Asia, has had many artists equal to those that paint in oil.I’m also very excited this year [for] DIVERSEartLA. We donate space to various nonprofits and museums from around the world and local museums and nonprofits as well:LACMA, Museum of Latin American Art, Contemporary African Art Museum, many different nonprofits from Southern California. We also have museums and nonprofits coming from Argentina, bringing one of the leading artists in Argentina, Marta Minujin.LA is now an arts destination. Can you speak to how the art scene in LA has evolved over the years?It’s evolved in a really big way. Twenty four years ago, when the LA Art Show started, there weren’t a lot of collectors in Los Angeles. People decorated their homes, but it didn’t even have to be an original piece. In these 24 years, I’ve seen a transition to people really becoming collectors and wanting to form collections and to have pieces in their home that are original pieces and important works of art. Even though LA has a lot of collectors, up until a few years ago many of those collectors would fly to other places to buy their art, even if it was an LAbased artist. That has changed. People are now very proud of buying work in Los Angeles.Los Angeles is on the precipice of being one of the most important, if not the most important, collector cities in the world.Are you from LA originally?I was born in Santa Ana. So, basically LA, Southern California. But I’ve lived lots of other places around the world. I’ve been back, with LA as my base, for about 18 years now.For people visiting the Art Show is there a neighborhood or even a particular hotel where you’d recommend people to stay?We moved the show six years ago to downtown. I saw downtown was changing and becoming really exciting. (Laughs) I even say this to my friends who live in Los Angeles, come spend the weekend in downtown LA, because, for some of you, it’s a whole other experience.Where would you recommend people go out for dinner?I just ate at a restaurant that changed ownership. Many people knew it before and it’s completely changed. It has an impressive Japanese art collection inside. It’s called Mrs. Fish and they have great food, mainly sushi, sashimi, but they specialize in Japanese whiskeys and pairings of food with whiskey.Is there a non-art museum you would recommend?I think it depends how you define art. A museum like the Autry [Museum of the American West] has lots of Native American and Western materials. They’re one of our partners actually, they’re doing a tequila tasting and a tour of the museum. For me, that’s a hidden gem.What are some local galleries you find exciting?Art Share [LA] is part of our show this year. Building Bridges [Art Exchange] in Santa Monica, I would recommend. When I started the Show 24 years ago, there was definitely interest in art. It’s actually surprising to me that more people didn’t collect art at that point because in reality Los Angeles is one of the most creative cities in the world and it has been for 100 years. For me, at this point, LA is finally being recognized for the city that it always has been. And the people in the city are taking pride in that.This interview appears in the January 2019 edition of BlouinShop magazine. To subscribe, visit http://blouinsubscriptions.com/https://www.blouinartinfo.com/              Founder: Louise Blouin

A Fair Debut in Taipei

Magnus Renfrew is opening doors in Asia. In 2007, he founded and directed Art HK: Hong Kong International Art Fair, which helped position Hong Kong as the center of the art market in Asia and was later acquired by Art Basel. Now, Renfrew might be doing the sa
Travel

A Fair Debut in Taipei

Magnus Renfrew is opening doors in Asia. In 2007, he founded and directed Art HK: Hong Kong International Art Fair, which helped position Hong Kong as the center of the art market in Asia and was later acquired by Art Basel. Now, Renfrew might be doing the same for Taipei. The first edition of Taipei Dangdai, an international art fair with regional roots, will feature 80 galleries with spaces in Asia and take place January 18-20. Despite his remarkable achievements with Art HK, Renfrew recognizes each city is unique and requires a different playbook for long-term success. We spoke with Renfrew about his vision for Taipei Dangdai, the burgeoning art market in Asia, and his recommendations for first-time visitors to Taipei.What can visitors expect from the first edition of Taipei Dangdai art fair?An exceptional lineup of galleries, an emphasis on Asia, a talks program with leading speakers in their respective fields, and an opportunity to discover new things.What are you most excited for personally?I am most excited about setting the foundations for long-term success. We have enjoyed amazing support from the local art community, from sponsors and from our galleries. There is considerable excitement about the prospects for this fair. It is our first edition but we hope to be able to build this step by step into a key fixture on the art calendar.Why did you decide to start an art fair in Taipei?I was approached by galleries from Taipei who were keen to have an international art fair that had rigorous quality control. Over the last 10 years, I have spent a great deal of time visiting Taiwan. It is a market with one of the most established collector bases in Asia – for Contemporary art purchased through galleries, but also for antiquities, ink painting, ceramics, modern Chinese, Western Impressionist and Modern. There is also a wealth of collectors who are yet to buy from galleries who are currently buying exclusively from auction.We hope that, through our quality control, participation in the fair becomes an imprimatur of quality that gives collectors a comfort level to take the first step on their Contemporary collecting journey.Are you approaching Taipei Dangdai differently than you did in Hong Kong in 2007? Why or why not?If you try to recreate success, you fail. But we are approaching things with the same rigorous approach as we did with Hong Kong — that is to say that we are working hard to galvanize the local community, targeting every level of the market, from established collectors to aspiring collectors. Taipei and Hong Kong are different and each has their own characteristics and advantages. It is important to create an event that respects its context. Taipei Dangdai has many of the best western galleries in the world participating but this represents 20 out of our 90 galleries. Ten of those 20 have spaces in Asia, and a further five have full time on the ground representatives. In this respect, the fair is deeply rooted in Asia and is designed for those galleries that are committed to building deeper connections in the region.When did you first get involved in the art market in Asia and how has it since evolved?I first got involved in the art market in Asia around 2005 when I started working to help put together the first auction of Contemporary Asian art for the auction house Bonhams in London, which took place in the spring of 2006. I then moved to Shanghai in the summer of 2006 to take up a one-year contract working for Pearl Lam, before moving to Hong Kong in 2007 to set up Art HK. The art scene has developed dramatically in the last 10 years. Interest in art from Asia has gone from being niche to mainstream. The world has changed immensely over the past 10 years and Asia is playing an ever more important role in all our lives. The art world is no exception. Galleries from elsewhere in the world are taking Asia more and more seriously as can be seen by the number of galleries that have been opening in Hong Kong, Shanghai, Seoul and Taipei.Is there a local dish that visitors must try? If so where’s the best place to go for it?Pineapple cakes — Sunny Hills.What neighborhood or hotel would you recommend people stay in?My Humble House and Le Meridien are great hotels, and Xinyi district is great for shopping.What is your favorite art and non-art museum in the city?I very much enjoy visiting the Taipei Fine Art Museum, which will be hosting the [Taipei] Biennial at the time of Taipei Dangdai. The Palace Museum has an exceptional collection of antiquities.For first time visitors, what is one tourist trap you would avoid and one tourist attraction that is a must-see?I don’t really have one to avoid, but the night markets have a great atmosphere.https://www.blouinartinfo.com/              Founder: Louise Blouin 

San Francisco with Susan Swig of FOG Design+Art

Susan Swig, one of the organizers of FOG Design+Art, was born in San Francisco and loves her hometown. As a member of the fair’s steering committee, she is also responsible for its programming.The sixth edition of FOG, opening January 17, will celebrate th
Travel

San Francisco with Susan Swig of FOG Design+Art

Susan Swig, one of the organizers of FOG Design+Art, was born in San Francisco and loves her hometown. As a member of the fair’s steering committee, she is also responsible for its programming.The sixth edition of FOG, opening January 17, will celebrate the cultural vitality of the Bay Area through a series of events exploring ideas and issues that resonate with today’s cultural climate and speak to current social and political issues.In a conversation with BLOUIN ARTINFO, Swig recommended several art events and also a walk along San Francisco’s seafront.(This interview has been edited for clarity and length.)Why do you live in San Francisco?I was born here. I lived in other cities, but I returned here. This is where I raised my children and now I’m a part of the art community. I am a trustee at SFMOMA and one of the organizers of the FOG fair.What is exceptional this year with FOG?Oh my goodness! We have 53 amazing galleries from across the world; 12 of them are new to us. We are excited and welcome them. Our programming slate is really extraordinary this year. It just gets better and better every year.On Thursday, we honor Pamela Joyner, who is a collector, but she also has worked hard with the African American art that she collects. She basically has rewritten the narrative of our history by including African American artists. So she and the artist Lorna Simpson are both speaking together.We have Pae White coming from Los Angeles and artists and educators speaking about “artist as activist.” Designers will also speak, because we at the fair like to represent design and art as close to 50/50 as we possibly can.We invite people to come look at the artworks and visit the galleries. The party favor, if you wish, is that they come and also hear a talk and they leave with fresh ideas that are relevant to the conversation that’s happening in the art world these days.Would a fair like this take place on the East Coast of the United States?There are some good fairs on the East Coast as well. But FOG has definitively got a San Francisco flair. The feeling within the fair is very communal, it is small enough and there is the feeling of community. The people who run it are the people who come, too, although now we have visitors from across the globe. It is unique to San Francisco and we try to keep it — though it is obviously a commercial fair — highly curated.We see it as a gift to San Francisco because it sort of lights the San Francisco art world on fire. We have amazing cultural institutions, artists’ spaces and museums, such as SFMOMA. And everybody rallies during this week around FOG, whether it’s other art fairs, or openings, or performances, dinners that are going on around San Francisco. It is an exciting week in the city.What would you say about the neighborhood of the fair?It is down in Fort Mason where there is a farmers’ market. The Fort Mason Center for Arts & Culture has various shows, one of them is Joan Jonas next week, who will also speak at the fair. The San Francisco Institute is not far. There are small artists’ spaces. It is right on the water, it is beautiful.Would you recommend a restaurant near the fair?There are restaurants right around where the fair is. But inside the fair, we have one of our best San Francisco restaurant pop-ups, A16, as well as another cafe, called Jane. We have great food at the fair. We are known for our good food. A16 — one of our favorite restaurants in San Francisco — is Italian, and Jane has delicious salads and coffees.What would you advise someone who has never been to San Francisco, to do in the city during the fair?Besides going to the museums and the shows, I would eat! Coming from Paris I wouldn’t necessarily go shopping!San Francisco is so beautiful. In the city, there are lots of things to do, especially in the arts, for example private collections open to the public. You can go to Alcatraz Island, and across the bay, Sausalito is beautiful.What would you recommend as a non-museum to visit?We have a national park here, the Golden Gate Recreation Area. You can walk miles and miles around the sea shore. We also have SF JAZZ, an unbelievable performance place. The opening of the Ballet is a week after FOG as well. There are plenty of clubs; music is big in San Francisco.Where do you go when you want to relax in San Francisco?I hike and I go across the bay. But I spend a lot of time in museums. I find it very relaxing. I live here so my relaxation is mostly walking with my dog.Where would you recommend to stay in the city?There are hotels near SFMOMA and there are some hotels in the Pacific Heights neighborhood, like the hotel Drisco. The Four Seasons is a great one as well.https://www.blouinartinfo.com/              Founder: Louise Blouin 

Actual Facts

Popular Reports

Contacts | Privacy Policy | Terms of Use
Twitter Facebook